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Visual Blending using 2D Morphing

Visual Blending using 2D Morphing. SK Semwal J Ohya* I Semwal B Bikker University of Colorado, Colorado Springs *ATR, Japan. Visual Surrealism. 1917 by Guillaume Apollinaire Dream like quality Super realism writing, verbally or any other means of thought Extends to animation.

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Visual Blending using 2D Morphing

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  1. Visual Blending using 2D Morphing SK Semwal J Ohya* I Semwal B Bikker University of Colorado, Colorado Springs *ATR, Japan

  2. Visual Surrealism • 1917 by Guillaume Apollinaire • Dream like quality • Super realism writing, verbally or any other means of thought • Extends to animation

  3. Introduction • Images indistinguishable from reality: • Nadia Thanlmann (human forms) • Badler (Human forms) • Many examples from movies and films

  4. Motivation • 2D Morphing • Surrealism evident in Morphing (Willow) • Field Morphing technique

  5. Extensions from Field Morphing • Multiple segments define an area which remains constant • Polygonal extents provides consistent morphing with ghosting reduction

  6. Results • Precise timing can be achieve • Smoothing introduces “lag”

  7. Summary • Results are more realistic as we can control some immovable parts during morphing • Multiple line segments and their choice determine the quality of animation

  8. Future Work • Defining the areas automatically • Extensions to 3D during motion capture

  9. End

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