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3 note motif

Interval of 6th. Descending step movement. Sequence of opening tune one step lower. 3 note motif. Bars 1 – 20 1 st Subject. Crotchet pattern outlining chord V. Woodwind in octaves. chord I. chord V. chord I. Repeated woodwind chords. Altered 1 st subject theme from here.

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3 note motif

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  1. Interval of 6th Descending step movement Sequence of opening tune one step lower 3 note motif Bars 1 – 20 1st Subject

  2. Crotchet pattern outlining chord V Woodwind in octaves chord I chord V chord I

  3. Repeated woodwind chords Altered 1st subject theme from here Bridge Passage (20 – 44) Dominant pedal

  4. Forte Sustained woodwind chords Horns enter for the 1st time modulating Violins play triads one bar descending sequence No sharps Perfect cadence Relative major Bb major

  5. sfortzando Dominant pedal (f)

  6. 2nd Subject (44 – 72) Perfect cadence Thinner instrumentation Pathetique mood Sighing mood Chromatic melody V - I Bb Major

  7. Repeated one bar phrase Woodwind now play theme without the oboes Ab major dominant 7th chords

  8. trill Crescendo – getting louder Unison strings Chromatic ascending quavers Ic V7 I Chromatic bass Bb major

  9. Descending quaver pattern Codetta 73 - 100 1st subject motif 2nd part of 2nd subject 1st motif stretched = augmentation (upper strings) Canon lower strings

  10. Codetta idea repeated Perfect cadence V – I Bb major

  11. Homophonic texture V - I V

  12. F# minor (Link) Pivot chord chromatic chords Dominant 7th G minor chord motif octaves I V - I V - I V - I G minor chord Diminished 7th chord Exposition repeated

  13. Sustained chromatic chords Sequence

  14. E minor A minor theme Countermelody (Staccato) theme

  15. D minor G minor C major Countermelody swapped

  16. F major Bb major

  17. 3 note motif of 1st subject Dialogue (question and answer) Thinner texture Dominant pedal

  18. pedal

  19. pedal

  20. pedal pedal Recapitulation – identical 1st 20 bars in G minor

  21. Eb Major V - I Extended Bridge Passage to 51 bars rather than 24 (184 – 227) to provide balance

  22. F minor New Quaver Counter melody bassoons main theme violins Parts swap over bar 198 Tutti Forte section bars 191 - 227 Theme split upper and lower parts

  23. Eb major Theme split upper and lower parts

  24. G minor 211 – 227 same as 28 - 43 but this time in tonic key

  25. Dominant pedal D

  26. One bar rest adds to the drama of expectation Texture and dynamics reduced Theme shared between woodwind and strings 2nd subject now in tonic key 227 - 241

  27. Dominant pedal 241-245 extension section modulates to Eb major

  28. Rising one bar sequences in the bass

  29. Rising version of the theme heard at 66 - 72 Ic –V- I in G minor

  30. Augmentation of 1st two notes in strings 3 note motif of theme passed between clarinet bassoon and flute

  31. V - I Scalic flourish

  32. Small fragments of 1st subject Forte passage interrupted by a quiet passage

  33. 4 strong final chords to end Tutti homophonic ending on chords I and V in G minor

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