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The Philippine Culture

The Philippine Culture.

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The Philippine Culture

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  1. The Philippine Culture

  2. The arts of the Philippines reflect a society with diverse cultural influences and traditions. The Malayan peoples had early contact with traders who introduced Chinese and Indian influences. Islamic traditions were first introduced to the Malays of the southern Philippine Islands in the 14th century. Most modern aspects of Philippine cultural life evolved under the foreign rule of Spain and, later, the United States. In the 16th century the Spanish imposed a foreign culture based in Catholicism. While the lowland peoples were acculturated through religious conversion, the Muslims and some upland tribal groups maintained cultural independence. Among those who were assimilated arose an educated elite who began to establish a modern Filipino literary tradition. During the first half of the 20th century, American influence made the Philippines one of the most Westernized nations in Southeast Asia. The cultural movements of Europe and the United States profoundly influenced Filipino artists, even after independence in 1946. While drawing on Western forms, however, the works of Filipino painters, writers, and musicians are imbued with distinctly Philippine themes. By expressing the cultural richness of the archipelago in all its diversity, Filipino artists have helped to shape a sense of national Brief Preview A page from the Boxer Codex. Left, is a general from the Rajahnate of Butuan and to the right is a princess of Tondo.

  3. identity. Many Malay cultural traditions have survived despite centuries of foreign rule. Muslims and upland tribal groups maintain distinct traditions in music, dance, and sculpture. In addition, many Filipino artists incorporate indigenous folk motifs into modern forms. Example of Indigenous Folk Motifs A. Literature The indigenous literature of the Philippines developed primarily in the oral tradition in poetic and narrative forms. Epic poems, legends, proverbs, songs, and riddles were passed from generation to generation through oral recitation and incantation in the various languages and dialects of the islands. The epics were the most complex of these early literary forms. Most of the major tribal groups developed an original epic that was chanted in episodic segments during a variety of social rituals.

  4. I. Spanish Period During most of the Spanish colonial period, the art and architecture of the Philippines were strongly influenced by the patronage of the Roman Catholic Church. Most art emphasized religious iconography. The church commissioned local craftspeople, often skilled Chinese artisans, to construct provincial stone churches with bas-relief sculpture and to carve santos, or statues of saints, and other devotional icons in wood and ivory. The edifices, statues, and paintings of the period show Chinese and Malay modifications of Spanish baroque, an elaborate and detailed style. B. Art and Architecture Miagao Church in the Town of Miagao in Panay City Philippines Barasoain Church in Malolos, Bulacan

  5. II. Chinese Period During the Chinese Emperiorism architectural infrastructure where changed and influence by the Chinese form of architecture. One of it is the most famous Daoist (Taoist) Temple in Cebu City. It’s roofs are like the modern Chinese houses and it’s stairs were designed like the great wall of china. This Daoist (Taoist) temple is on Cebu Island, in the Philippines. The Chinese inhabitants have influenced many economic and social elements of the Philippine culture. Daoism, a philosophical and religious system, was introduced to the country by the Chinese.

  6. C. Music Filipino classical musical compositions in many ways epitomize the blending of multicultural influences. The compositions often embody indigenous themes and rhythms in Western forms, such as symphonies, sonatas, and concertos. Several composers and conductors in classical music have achieved international recognition, including Antonio Molina, Felipe Padilla de Leon, and EliseoPájaro. José Maceda is considered the first Filipino avant-garde composer, liberating Philippine classical music from the traditional constructs of Western Percussion instruments that make up the Philippine kulintang ensemble, an example of pre-Hispanic musical tradition Traditional types of music are played on wind, string, and percussion instruments made from local materials. These include the kulibit, a zither with bamboo strings and tubular bamboo resonators; wooden lutes and guitars; and the git-git, a wooden three-string bowed instrument. The Muslim peoples use these and other instruments to play complex musical compositions that have been passed by memory from generation to generation.

  7. I. Music Most Filipino communities remember the tunes and lyrics of traditional folk songs. Tagalogs, for example, have more than a dozen folk songs for various occasions, including the uyayi or hele, a lullaby; the talindaw, a seafaring song; the kumintang, a warrior song; the kundiman, a love song; and thepanambitan, a courtship song. Some songs are accompanied by a specific folk dance. Formal training in classical dance has been available in the Philippines since the 1930s. The first noted Filipino choreographers in classical ballet were Leonor Orosa-Goquingco, Remedios “Totoy” de Oteyza, and Rosalia Merino-Santos. Orosa-Goquingco is most noted for her staging of Filipinescas: Philippine Life, Legend and Lore in Dance, which toured the world in the 1960s. Merino-Santos later turned to modern dance and founded the Far Eastern University Modern Experimental Dance Troupe. Other dance companies include Ballet Philippines (formerly the Modern Dance Company), Hariraya Ballet Company, Dance Theater Philippines, and Pamana Ballet (formerly the Anita Kane Ballet Company). Several Filipino ballet dancers have achieved international fame, including Maribel Aboitiz, Eddie Elejar, Lisa Macuja, and Anna Villadolid. One of the series of kulintang ensemble

  8. Choreographer Francisca Reyes-Aquino is recognized for pioneering research in the documentation of Philippine folk dances and founding the Philippine Folk Dance Society. She codified the folk dances into steps, directions, and musical arrangements that are taught in physical education classes in most schools. Among other folk dance troupes, the Bayanihan Philippine Dance Company (formerly the Bayanihan Folk Arts Center) and the Far Eastern University Folk Dance Group perform stylized adaptations of folk dances in local and international tours. Informal folk dancing is performed for a variety of occasions, such as harvests, weddings, and religious celebrations. The Manila Symphony Orchestra accompanies many dance performances. The Philippine Cultural Center in Manila provides an important venue for the performing and applied arts. Formal training in classical dance has been available in the Philippines since the 1930s. The first noted Filipino choreographers in classical ballet were Leonor Orosa-Goquingco, Remedios “Totoy” de Oteyza, and Rosalia Merino-Santos. Orosa-Goquingco is most noted for her staging of Filipinescas: Philippine Life, Legend and Lore in Dance, which toured the world in the 1960s. Merino-Santos later turned to modern dance and founded the Far Eastern University Modern Experimental Dance Troupe. Other dance companies include Ballet Philippines (formerly the Modern Dance Company), Hariraya Ballet Company, Dance Theater Philippines, and Pamana Ballet (formerly the Anita Kane Ballet Company). Several Filipino ballet dancers have achieved international fame, including Maribel Aboitiz, Eddie Elejar, Lisa Macuja, and Anna Villadolid.

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  10. D. Cuisine Philippine cuisine has evolved over several centuries from its Malayo-Polynesian origins to become a mixed cuisine with many Hispanic, Chinese, American, and other Asian influences that have been adapted to local ingredients and the Filipino palate to create distinctively Filipino dishes. Dishes range from the very simple, like a meal of fried salted fish and rice, to the elaborate, such as the paellas and cocidos created for fiestas. Popular dishes include lechón, adobo, sinigang, kare-kare, tapa, crispypata, pancit, lumpia, and halo-halo. Some common local ingredients used in cooking are calamondins, coconuts, saba (a kind of short wide plantain, mangoes, milkfish, and fish sauce. Filipino taste buds tend to favor robust flavors but the cuisine is not as spicy as those of its neighbors The halo-halo is a dessert made of ice, milk, various fruits, and ice cream.

  11. Philippine media uses mainly Filipino and English. Other Philippine languages, including various Visayan languages are also used, especially in radio due to its ability to reach remote rural locations that might otherwise not be serviced by other kinds of media. The dominant television networks ABS-CBN, GMA and TV5 also have extensive radio presence. The entertainment industry is vibrant and feeds broadsheets and tabloids with an unending supply of details about celebrities and sensationalist scandals du jour. Drama and fantasy shows are anticipated as are Latin telenovelas, Asianovelas, and anime. Daytime television is dominated by game shows, variety shows, and talk shows such as Eat Bulaga, Showtime, and Happy, Yipee, Yehey. Philippine cinema has a long history and is popular domestically, but has faced increasing competition from American, Asian and Europea films. Critically acclaimed directors and actors include LinoBrocka and Nora Aunor for films like Maynila: Sa mgaKukongLiwanag (Manila: In the Claws of Light) and Himala (Miracle). In recent years it has become common to see celebrities flitting between television and movies and then moving into politics provoking concerns. E. Media Modern Anime

  12. Thank you for listening The Philippine Culture Group I Borcer,Jesssa Marie Marasigan, Celine Briones, Jayr Maniebo, Angelica Malonzo, Trishia Ann Briones, Tom Patrick Jhemx23

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