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Fashion Promotion

Fashion Promotion. Visual Merchandising. Objectives:. Explain the importance of visual merchandising Describe the two main areas of store layout Summarize the aspects of merchandise presentation Describe the components of in-store displays

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Fashion Promotion

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  1. Fashion Promotion Visual Merchandising

  2. Objectives: • Explain the importance of visual merchandising • Describe the two main areas of store layout • Summarize the aspects of merchandise presentation • Describe the components of in-store displays • List the advantages, disadvantages, and types of window displays

  3. The Importance of Visual Merchandising • Visual merchandising is the physical display of products in the most attractive and appealing ways • Purposes are to sell products and promote store image • Should always try to be different, new, and creative

  4. The Importance of Visual Merchandising • Provides information • Gains attention • 3 dimensional & real • The extra $ spent on visual merchandising is usually quickly returned in additional sales.

  5. Selling areas (75%-80%) Where merchandise is displayed and customers interact with salespeople aisles, counters, fitting rooms, merchandise fixtures, displays Sales support areas Customer services and all other operations restrooms, cashiers, gift wrapping Store Layoutinterior arrangement of retail facilities Floor Plan – drawn to show selling floor vs sales support areas

  6. Store Layout • Grid layout • One or more main aisles with secondary aisles intersecting • Efficient use of space, good sight, security, uninteresting atmosphere • Maze layout • Free-flowing, unbalanced placement of fixtures; allows shoppers to weave through displayed merchandise • Interesting but selling space is lost • See handout

  7. Merchandise Presentation • The ways goods are hung, placed on shelves, or otherwise made available to customers • Shoulder-out • Only one side shows • Face-forward • Hanging garment so full front faces viewer

  8. Types of Fixtures • Most common types of fixtures • Bins • C-rack or half-circle • Four-way, quad, or four-arm • Rounder • Showcase • T-stand, two-arm, or two-way • Wall-standards and brackets • waterfall Showcase

  9. Interior Displays • Displays should: • Stimulate product interest • Provide information • Suggest merchandise coordination • Generate traffic flow • Remind customers of planned purchases • Create impulse sales • Enhance the store’s visual image

  10. Interior Display Locations • Should be chosen to maximize merchandise exposure • Just inside store entrance • At entrances to departments • Near cash/wrap counter • Next to related items • By elevators and escalators • At ends of aisles • Open-to-mall areas

  11. Displayed Merchandise • Should be current • Represent styles and lines • Should be well stocked • In demand • New (inform customers of what is available) • Encourage additional purchases • Promote current theme • Look good on display

  12. Grouping Displays • One-category groupings • Highlight a specific kind of item • Skirts, children’s dresses, holiday sweaters, shoes • Line-of-goods displays, “vendor statement” • Related groupings • Ensembles or coordinates • Showing customers that more than the feature item is needed • Tennis outfit + visor + racquet + balls + bag • Theme groupings • Particular setting, event, holiday • What is the difference between one-category grouping & theme grouping?? What would be in one and not the other • Variety or assortment • Unrelated items all sold in the store • Lower-priced retailers

  13. Lighting • Overlighting – washed out • Underlighting – not effective • Floodlighting – ceiling lights to direct light over an entire wide display area • Spotlighting – focuses on a specific area, targeting items • Pinpointing – narrow beam on a specific item

  14. Props • Functional props physically support or hold merchandise • Mannequins, stands, pedestals, screens, panels, or forms • Decorative props • Used for mood or attractive setting • Artifical flowers, bicycles, seashells • Structural props support and change displays • Boxes, cylinders (usually hidden) Decorative and functional prop

  15. Signage • Variety of signs may be used to inform customers • Counter signs • Posters • Hanging signs • Banners • Flags • Elevator cards • Easels • Might include prices, sizes, styles, features, store logo, etc.

  16. Display Evaluation • Effective sales appeal? • Coordinated with store ads? • Help to locate goods? • Signage legible and easy to understand? • Signage gives best selling points? • Draw customer through store? • Clean and neat? • Changed frequently?

  17. Window Displays • First contact customer has with store • Can stimulate curiosity • More opportunities to sell merchandise • Can be expensive to design, set up, and maintain; need props, staff, and space • Another problem can be glare of glass

  18. Types of Display Windows • Enclosed • Full background • Ramped, elevated, or shadowbox • Semi-enclosed • Partial background • Open • No background, open to store interior • Island • 4-sided glass, often in lobbies Enclosed window; full background

  19. Do You Know . . . • How might displays in a discount store differ from the displays in a more expensive apparel store? • What criteria would you use to select merchandise for display in an island window? PICK ME!!!

  20. Things you should know.. • Most aisles are 3 feet a part. In more expensive stores, they may be 4 feet a part. • The DownShift Factor • The faster you walk, the more your peripheral vision narrows and the longer it takes to slow down your shopping speed

  21. What we know… • Humans walk like they drive. • Decompression Zone-empty area inside the store. Never put anything of value in that zone.

  22. Invariant Right Theory • Upon entering a store the shopper will invariably and reflexively turn to the right. • What we should do… • Customer interaction with any product or promotion displays in the Decompression Zone will increase by at least 30% once it’s moved to the back of this zone, and even more if it place to the right.

  23. Butt Brush Theory • “Brush, bump or jostle a woman on the behind when she stopped to look at an item and she will bolt.” Malcom Gladwell of Paco Underhill’s Butt-Brush Theory. • What we should do is wide the aisles.

  24. Getting your Customer to Buy More.. • The chances that shoppers will buy something are directly related to how long they spend shopping. • How long they spend shopping is directly related to how deep they get pulled into the store.

  25. What you should do… • Place destination categories in the rear of your store. This forces the customer to go deeper into the store.

  26. Tables Invite Touching which leads to unplanned buying.

  27. Keys to Increasing Impulse Items Sales… • Adjacent to register and “within reach” • Adjacent to destination products • Flexibility to change the mix of impulse items frequently

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