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Pieces of Plath. By Staci Gelatka , Josh Kurisko , Noah Meester , and Sanjay Nimmagudda. Sylvia Plath, 1932 - 1963. The Hanging Man By the roots of my hair some god got hold of me. I sizzled in his blue volts like a desert prophet.
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Pieces of Plath By Staci Gelatka, Josh Kurisko, Noah Meester, and Sanjay Nimmagudda Sylvia Plath, 1932 - 1963
The Hanging Man By the roots of my hair some god got hold of me. I sizzled in his blue volts like a desert prophet. The nights snapped out of sight like a lizard’s eyelid: A world of bald white days in a shadeless socket. A vulturous boredom pinned me in this tree. If he were I, he would do what I did.
Personal Life • October 27, 1932 • Boston, MA • 1940: Father dies • 1941: 1st published poem • 1951: First signs/attempt of suicide • 1956: Marries fellow poet Ted Hughes • 1963: Death by suicide
Lament The sting of bees took away my father who walked in a swarming shroud of wings and scorned the tick of the falling weather. Lightning licked in a yellow lather but missed the mark with snaking fangs: the sting of bees too away my father. Trouncing the sea like a ragin bather, he rode the flood in a pride of prongs and scorned the tick of the falling weather. A scowl of sun struck down my mother, tolling her grave with golden gongs, but the sting of bees took away my father. He counted the guns of god a bother, laughed at the ambush of angels' tongues, and scorned the tick of the falling weather. O ransack the four winds and find another man who can mangle the grin of kings: the sting of bees took away my father who scorned the tick of the falling weather.
Professional Life • 1950-54: Attended Smith College in North Hamption, MA • 1953: Guest editor Mademoiselle • Summer of ‘53: First mental breakdown and suicide attempt • 1963: Publishes The Bell Jar under pen name • 1965: Poetry collection published
Influence on Poetry • Her brother, Warren • Her father Otto • Various nervous breakdowns • Marriage life • Depression/suicide attempts
Firesong Born green we were to this flawed garden, but in speckled thickets, warted as a toad, spitefully skulks our warden, fixing his snare which hauls down buck, cock, trout, till all most fair is tricked to faulter in split blood. Now our whole task's to hack some angel-shape worth wearing from his crabbed midden where all's wrought so awry that no straight inquiring could unlock shrewd catch silting our each bright act back to unmade mud cloaked by sour sky. Sweet salts warped stem of weeds we tackle towards way's rank ending; scorched by red sun we heft globed flint, racked in veins' barbed bindings; brave love, dream not of staunching such strict flame, but come, lean to my wound; burn on, burn on.
What The Critics Say • “..balance, control, a sense of form and rhythm, and even a degree of detachment” (Bawer 19). • “..anguish and consequent longing for death” (Moramarco 146). • “.. energy, the creative inflaming of particular images” (Bagg 35). • “..created a mythology of death that she hoped would enable her to live” (Stevenson 362). • “..her writing radiates a violent feminism” (362).
Agreements • Degree of detachment, distancing herself from society and family • Longing for death that she hoped would enable her to live • Bored with her surrounding life, as if she were trapped
Disagreements • The “creative enflaming of particular images” • Rhythm within poems (seem unorganized) • Violent feminism
The Dead Revolving in oval loops of solar speed, Couched in cauls of clay as in holy robes, Dead men render love and war no heed, Lulled in the ample womb of the full-tilt globe. No spiritual Caesars are these dead; They want no proud paternal kingdom come; And when at last they blunder into bed World-wrecked, they seek only oblivion. Rolled round with goodly loam and cradled deep, These bone shanks will not wake immaculate To trumpet-toppling dawn of doomstruck day : They loll forever in colossal sleep; Nor can God's stern, shocked angels cry them up From their fond, final, infamous decay.