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RELIVING THE PAST:

RELIVING THE PAST: . FILM NOIR. CLASSICAL CINEMA HIGH KEY(LOW CONTRAST)LIGHTING BALANCED THREE-POINT LIGHTING DAY-FOR-NIGHT SHALLOW FOCUS SYMMETRICAL MISE-EN-SCENE EYE-LEVEL CAMERA OPEN,UNOBSTRUCTED VIEWS. FILM NOIR LOW KEY(HIGH CONTRAST LIGHTING IMBALANCED LIGHTING NIGHT FOR NIGHT

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RELIVING THE PAST:

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  1. RELIVING THE PAST: • FILMNOIR

  2. CLASSICAL CINEMA HIGH KEY(LOW CONTRAST)LIGHTING BALANCED THREE-POINT LIGHTING DAY-FOR-NIGHT SHALLOW FOCUS SYMMETRICAL MISE-EN-SCENE EYE-LEVEL CAMERA OPEN,UNOBSTRUCTED VIEWS FILM NOIR LOW KEY(HIGH CONTRAST LIGHTING IMBALANCED LIGHTING NIGHT FOR NIGHT DEEP FOCUS WIDE ANGLE FOCAL LENGTH DISSYMMETRICAL EXTREME LOW AND HIGH ANGLES FOREGROUND OBSTRUCTIONS COMPARISON OF CINAMATOGRAPHY COMPONENTS OF CLASSICAL CINEMA AND FILM NOIR

  3. NEO-NOIR 1981 BODY HEAT KATHLEEN TURNER AND WM HURT—FLORIDA WIFE SEDUCES ATTORNEYBOYFRIEND TO KILL HER HUSBAND

  4. GREGORY PECK , INGRID BERGMAN SPELLBOUND EARLY HITCHCOCK SOUND TRACK BY MIKLOS ROZCA

  5. NOIR CHARACTERS • ROBERT MITCHUM EX ESCAPED CONVICT • MULTITALENTED. • WROTE ORATORIO PREMIERED HOLLYWOOD BOWL

  6. DOUBLE INDEMNITY GREAT TRIANGLE OF STANWYCH, MCMURRAY, ROBINSON PROBLEM WITH CODE

  7. Barbara Stanwych

  8. DOUBLE INDEMNITY

  9. POP ART FILM NOIR MURDER IS AN INTEGRAL PART OF NOIR. THE MURDER MAY BE FOR HIRE, CLASSICALLY THE MURDERER IS MANIPULTED INTO PERFORMING THE ACT. NYM

  10. IMPORTANCE OR INVESTIGATOR OR DETECTIVE AS MALE LEAD

  11. Bogey and Bacall

  12. Cinematography Style • Vertical Blinds • Technology aspects: phone, light • Angle shots • Cameraman on Ground • Day shots at night

  13. Noir Special Effects • RAIN, FOG • ISOLATION • LABYRINTH • FEMME FATALE • VOICE OVER • FLASHBACK

  14. RAIN, RAIN,RAIN • COBBLE STONES • DARK • ANGLED SHOT FROM GROUND

  15. DARK PHOTOGRAPHY

  16. DARK DIFFUSED LIGHTING • DIFFUSION LENS AND NIGHT PHOTOGRAPHY BROUGHT BY GERMAN CINAMATOGRAPHERS AND DEVELOPED DURING WAR FOR NIGHT WARFARE.

  17. NIGHT IN THE CITY RICHARD WIDMARK MIKE MAZURKI GENE TIERNEY

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