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Color Field. Color Field. Vast expanses or “fields” of color. Color Field painting was invariably abstract and the canvases were huge, almost mural-sized. Mark Rothko. His often 8-foot high paintings consisting of two or three soft-edged, stacked rectangles.
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Color Field • Vast expanses or “fields” of color. • Color Field painting was invariably abstract and the canvases were huge, almost mural-sized.
Mark Rothko • His often 8-foot high paintings consisting of two or three soft-edged, stacked rectangles. • He was interested in the relation between one color and another.
Mark Rothko • Large patches of color seem to hover within their color fields. • Erasing all evidence of brushstrokes, he also eliminated recognizable subject matter.
Frankenthaler • Combined two sources of inspiration: Pollock’s methods & John Marin’s watercolors. • Used oil paint thinned to the consistency of watercolor
Frankenthaler • Poured the thinned paint from coffee cans onto unprimed canvas on the floor. • Thin washes of pigment soak into the canvas rather than rest on top.
Morris Louis • Poured diluted acrylic paint, tilting his unprimed canvas to guide the flow into several characteristic forms: • Veils • Stripes • Florals
Morris Louis • A Louis trademark was the “veil” painting: overlapping fans of color produced by pouring pigment down vertically placed canvases.