1 / 56

Jeopardy

Jeopardy. Choose a category. You will be given the answer. You must give the correct question. Click to begin. Choose a point value. Choose a point value. Click here for Final Jeopardy. Dances. Choruses. Declamatory Airs. Tonality. Compositional Devices. 10 Point. 10 Point.

jana
Download Presentation

Jeopardy

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Jeopardy Choose a category. You will be given the answer. You must give the correct question. Click to begin.

  2. Choose a point value. Choose a point value. Click here for Final Jeopardy

  3. Dances Choruses Declamatory Airs Tonality Compositional Devices 10 Point 10 Point 10 Point 10 Point 10 Point 20 Points 20 Points 20 Points 20 Points 20 Points 30 Points 30 Points 30 Points 30 Points 30 Points 40 Points 40 Points 40 Points 40 Points 40 Points 50 Points 50 Points 50 Points 50 Points 50 Points

  4. Dance not following a general rhythm or pattern

  5. Pantomined Dance – one of the two types of dances

  6. Type of dance that follows a structured format with even phrases

  7. Formal Dance

  8. Fear No Danger is this type of dance Pg 97 Reh Let 7

  9. Formal due to strong dance rhythms and rondo form w/8 m phrases

  10. Echo Dance of the Fairies is an example of this Pg. 135

  11. Pantomine Dance Top melody line echoes while bass and inner voices are altered to create dissonance. Lacks regular rhythmic pattern, phrases or repetition

  12. Dances not included in the orchestral score

  13. Guitar Dances – Improvised

  14. Two types of choruses found in D & A

  15. Danced or Not Danced To

  16. Harm’s Our Delight is an example of this Pg 122 Trk 15

  17. NOT danced to due to shortness

  18. This chorus is also a tuneful air (dance) in Act II. It occurs after Dido hears distant thunder conjured up by the Sorceress. It contains imitation and is sung SATB.

  19. Haste, Haste to Town Pg. 146 Trk 23

  20. Declamatory Air in two parts with choral conclusion to each

  21. Queen of Carthage Pg. 123 Trk 16 Sorceress is plotting the destruction of Carthage and its queen, calls in her evil companions to help her in her evil plans

  22. In the form of a tuneful air and a chorus, this has a repeated binary form. Occurs in the middle of the hunt where the hunting party stops to take in the country’s beauty. A section is entirely homophonic, B section contains imitation.

  23. Thanks to these lonesome vales Pg. 139 Trk 19

  24. Attaching melodic decoration to the words they are meant to describe

  25. Florid Declamation

  26. Important method of setting English declamatory airs wherein two syllables are set with a dotted eighth followed by sixteenth note

  27. Scottish Snap Example Pg 95 Trk 5 (Whence could so much virtue)

  28. DAILY DOUBLE One of Purcell’s innovations lies in the sophistication of his harmonic methods. Listen to the following excerpt pg. 95 (trk 5) in your score and name THREE.

  29. Examples could include: • Major on fierce m. 8 • C minor on soft m 7 • Melt the rocks goes into g minor both a flat and a minor key m. 11

  30. Tuneful Air or Dance Two Part Air Dialogue Declamatory Air Chorus

  31. The traditional English forms that Purcell used in D & A.

  32. An example of a dialogue (begins in declamatory style and ends with a simultaneous duet)

  33. Your Counsel is all urged in vain Pg. 169 Trk 31

  34. Purcell composed each scene in a single key (with some interruptions as we discussed). Below are the keys, you name what it represents. C minor

  35. The key representing Dido’s grief (Scene 1)

  36. C major

  37. The key representing D & A mutual love for each other (Scene 2)

  38. G Minor

  39. Dido’s Death Scene VI

  40. Bb Major

  41. The Sorceress’s Success Scene V

  42. Purcell’s use of tonality offers a clear indication of how Aeneas’s role should be interpreted. Name the two places where Aeneas’s entrance disrupts the tonality.

  43. Shift to e minor in Scene II Page 101 m. 11 where Aeneas sings of his love yet the music contradicts this by modulating to e minor with the following chorus “Cupid Throws the Dart” in e minor. Tonality depicts the disruption caused by Aeneas’s arrival in Carthage as well as the disturbance that has occurred in everyone’s emotions. Shift to a minor in Scene IV Page 150 Reh Let 28 Trk 24 Fourth scene is in d minor and D major. However in the concluding monologue occurs in the key of a minor where Aeneas and the spirit (Mercury) brings on the command of Jove that Aeneas is to wait no longer in beginning his task of creating a new Troy on Latin soil. Aeneas consents to the wishes of the Gods, but is not happy that he will have to leave Dido.

  44. What does Ah Belinda The Triumphing Dance Oft She Visits When I am Laid In Earth all have in common?

  45. Name four pieces where a ground bass occurs See notes on page 36 and 37 of your binder

  46. Suspension

  47. Definitions is a note from one chord which is held into the next chord as a nonharmonic tone and resolved. Example: When I Am Laid The Bb in measure 7 after Reh Let 38. (B b held over from g minor chord in m. 6 and resolves to an inversion of a D7 chord.

  48. Used for laments in Italian Opera, most common uses a descending scale, diatonic or chromatic with a cadence.

  49. What is a ground bass?

  50. Through Composed

More Related