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Fake Batik

Fake Batik. Karen Siler Glen Allen Elementary School NAEA Conference New York City March 13-17, 2007. Fake Batik. Presented by Kirby Ming of Henry County, GA at the NAEA Conference in New York City, NY 5th Grade Students. Fake Batik.

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Fake Batik

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  1. Fake Batik Karen Siler Glen Allen Elementary School NAEA Conference New York City March 13-17, 2007

  2. Fake Batik • Presented by Kirby Ming of Henry County, GA at the NAEA Conference in New York City, NY • 5th Grade Students

  3. Fake Batik • Batik - A method of dyeing fabric where some areas are covered with wax or pastes made of glues or starches to make designs by keeping dyes from penetrating in pattern areas

  4. SOL • 5.14 - The student will produce fiber art that reflects the qualities of the fiber art of another age, culture, or country.

  5. History • Cloth decorated with this technique has been in use as long back as 1500 years ago in Egypt, Africa, the Middle East and in several parts of Asia. Many people think that batik was brought to Asia by travelers from the Indian subcontinent. Most people believe that Batik reached its highest artistic expression in Indonesia, particularly in Java. Batik has become a very central means of artistic expression for many areas of Asia and a deeply integrated facet of the Asian culture.

  6. The Process • Cotton and silk are used for the cloth. • Melted wax is applied with a canting, sometimes called a wax pen. It is a funnel like pen that has a bamboo handle and the wax comes slowly out of the tip as the artist draws onto the fabric. • The melted wax is kept in a wajan, a little pan that sits on a small charcoal stove. Beeswax and paraffin are the most common waxes used for batik.

  7. Because batiked fabric grew to be so popular, a method of making the fabric more quickly developed. This made the fabric more affordable to the masses and much quicker to make. • A copper stamp called a cap (pronounced chop) was made of copper strips bent into the shape of the design. Then it was dipped in wax and stamped onto the fabric.

  8. Material for Fake Batik • 12 X 12 white paper, 14 X 14 muslin, pencil, Sharpie, tape, alum and flour mixture in squeeze bottles, diluted acrylic paint and brushes. Additional muslin to back the pillow. Volunteers to sew the pieces together! Polyester fiberfill to stuff pillows.

  9. The Process-The Design Come up with a 12 X 12 design based on something from nature: water, wind, plants, animals, leaves, etc. Nothing man-made should be included. Keep it fairly simple. We look at Hokusai’s painting “The Great Wave” and talk about the movement seen in the wave and the power as well as the way the water is drawn and how the color is used. (We ignore the boats this time!) Trace with a Sharpie on 12 X 12 paper.

  10. The Process - The Resist Tape muslin onto paper (center). Trace the lines you see through the paper with the alum mixture and let dry thoroughly.

  11. The Process - Paint Students will add color to the batik using dilute acrylic paint. Students may crack the resist and paint over it to achieve some of the crackled effect.

  12. The Process - Finish When the entire piece is painted and completely dry. Place the fabric in soapy water and scrape the paste off. Rinse. Let dry.

  13. The Finished Pillow Parent volunteers sew each painted to piece to an unpainted one inside out leaving an opening for stuffing. Students stuff and then sew the stuffing hole closed!

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