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De Technologische Cultuur van Geluidssystemen

De Technologische Cultuur van Geluidssystemen. Ties van de Werff (Maastricht University) – VPT, 7 mei 2012. Ties van de Werff (Maastricht University) – VPT, 7 mei 2012. Ties van de Werff (Maastricht University) – VPT, 7 mei 2012. Cultuur  ontwikkeling technologie

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De Technologische Cultuur van Geluidssystemen

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  1. De Technologische Cultuur van Geluidssystemen Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  2. Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  3. Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  4. Cultuur  ontwikkeling technologie • Voorbeeld: luidsprekertechnologie & line arrays • Technologie  cultuur & gedrag • Voorbeeld: mixing consoles & digitale mixer De Technologische Cultuur van G eluidssystemen Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  5. Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  6. Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  7. Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  8. Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  9. Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  10. Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  11. Conventionele PA: sferische wavefront • Line arrays: cylindrische wavefront Line arrays Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  12. Nearfield & farfield: gelijke geluidsdruk Line arrays Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  13. The science behind the sound industry is extremely difficult. Sound is nothing more than mathematics and physics, there are no preferences, only technical solutions. (Stephane Roche, APG Sound Systems) • The line array is a step to a better audience experience. It’s just plain physics, but it is the standard now. We really caused a paradigm shift in the industry (David Brooks, L’Acoustics) Op de MusikMesse: Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  14. I like the line arrays. Depending on which one it is, it’s just a little more accurate. (Bruce Jones, FOH-mixer of The Counting Crows) Yesterday, I worked on a Vodsc, one of the first line arrays. I really hate it. I can’t get any drums out of it. It doesn’t have any low. It does have very deep low, the sub-low, that’s there. But that’s not what you always want, you also want to have just a bass-drum. I can’t get it out. (Arian van Egmond, FOH-mixer Golden Earring) Beter geluid? Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  15. Conventionele PA: • Warm • Krachtig, ‘dik’ • ‘Punch’, ‘ballen’ • Line arrays: • Gedetailleerd • ‘In your face’, direct • Hard, ‘dun’ • Koud, steriel Conventionele stacks vs line arrays: geluidsbeleving mixers en bezoekers Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  16. Geluidsbedrijven : logistieke voordelen • Riggers: meer routine en minder sjouwen • System-engineeers: grotere controle over geluid • Mixers & bezoekers: geluid is ‘dichterbij’ & hard • Festivalorganisatoren: voorkomen geluidsoverlast Line arrays in de praktijk Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  17. Cultuur  technologie • Voorbeeld: luidsprekertechnologie & line arrays • Technologie  cultuur & gedrag • Voorbeeld: mixing consoles & digitale mixer De Technologische Cultuur van G eluidssystemen Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  18. Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  19. Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  20. Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  21. Mixer in de jaren ’50: • Techneut & diplomaat • Stereo & multitrack recording veranderde status en rol van de mixer: • Status: mixer deel artistieke proces • Rol van de mixer: • Mixen als kunst: aural thinking Veranderende praktijk van het mixen Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  22. Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  23. It’s more challenging with analogue consoles. Especially when you’re not familiar with it. Then you have to get to know the machine, explore it’s limits. I think the best live-sound comes from these experiences, because you are forced to make quick choices, to pinpoint the sound in an earlier state than with more familiar or digital consoles. Jeroen ‘Ebs’ Ebskamp, system-engineer / FOH-mixer Ampco Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  24. Well, the monitor-man is very important for every band. You have to keep the band happy on stage before anything, the happier they are, the better they play. Part of the job is not technical, but talking to them, understand them, always watch hem… that’s very important: when they look, they want to see you looking at them. So you have to make yourself seen. Once you get to know the band well, it’s easier. Phil ‘SidePhil’ Wilkey, monitor-mixer Incubus Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  25. Ties van de Werff – Thesis Symposium CAST, 27th June, 2008. Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  26. You have to do your job well, because they hear everything. Before, you could cheat a bit but now you have to do it properly. Because with in-ears you hear absolutely everything, you have to mix good. Phil ‘Sidephill’ Wilkey, monitor-mixer Incubus I now have the console I always wanted, and always the same rack of effects. So if I screw up now, it’s only me that’s responsible. That was different back then. Then you could blame everything, form the power-hub to the audience. CJ Otten, FOH/mixer, VanVelzen Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  27. Digitale technologieën veranderen de praktijk van het mixen • Meer meten=weten • En: ‘zachte kennis’ (ervaring, sociale skills) • Maar: grotere verantwoordelijkheid • Praktische voordelen voor verschillende partijen wegen zwaarder dan het geluid zelf • Meer controle, zekerheid en continuiteit op het podium door digitale technologieën Samenvatting Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  28. Geprofessionaliseerde & gespecialiseerde industrie: touring circus • Live = studio (maar dan echt) • Horen + kijken = authenticiteit • Liveness = nearness Controle, zekerheid & voorspelbaarheid: rock ‘n roll! Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

  29. Ties van de Werff (Maastricht University) – VPT, 7 mei 2012

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