1 / 6

Chapter 23: Romantic Opera: Italy

Chapter 23: Romantic Opera: Italy. Italy. The golden age of opera with composers such as Rossini, Bellini, Verdi, Wagner, Bizet, and Puccini Bel canto : “ Beautiful singing ” Term coined by Rossini Early creators of bel canto include Donizetti and Bellini

lyn
Download Presentation

Chapter 23: Romantic Opera: Italy

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Chapter 23:Romantic Opera: Italy

  2. Italy • The golden age of opera with composers such as Rossini, Bellini, Verdi, Wagner, Bizet, and Puccini • Bel canto:“Beautiful singing” • Term coined by Rossini • Early creators of bel canto include Donizetti and Bellini • Emphasis on beautiful vocal melodies • Orchestra provides simple harmonic support • Exalted the leading opera singers • Prima donna or diva: Lead soprano, usually the heroine

  3. Giuseppe Verdi (1813-1901) • Most popular opera composer throughout Europe • His operas are performed more than any others • Early operas supported Italian nationalism • Promoted a united Italy • Viva VERDI (Vittorio Emanuele Re d’Italia) • Dramas turned to domestic themes and personal conflict • Opera standards include: Rigoletto (1851), La traviata (1853), Il trovatore (1853), Aida (1871)

  4. Verdi’s Dramaturgy and Musical Style • Conflict – personal or national – the root of every emotion • Clear expression of emotion • Emotional states almost melodramatic • Intense passion and nonstop action • Recitativo accompagnato: Orchestra accompanies the recitative; Smooth transitions between recitative and aria • Arias push singers to the utmost of their range • Bel canto style

  5. La traviata (1853) • “The Woman Gone Astray” • Based on a story (Camille) by Alexandre Dumas the younger • Pits passionate love against middle-class morality • “Un di felice” • Gala party at the end of the first act • Alfredo and Violetta sing to each other

  6. La traviata, Act I, Scene 6 • A Scena • Slow aria (“Ah fors´è lui”) • Recitative accompagnata (“Follie!”) • Cabaletta (“Sempre libera”) • A fast-paced concluding aria • Virtuosity serves a dramatic purpose • Allows character to rush off stage

More Related