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2-D Design Redux. Card Players Romare Bearden. The Kelmscott Chaucer William Morris . No Child Left Behind Christopher C. Kaufman. Self-Portrait as Infanta Maria Teresa Dreaming Madame de Sade Julie Heffernan. Untitled Jean-Michel Basquiat . Emily Dickenson in the Painted Desert
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Card Players Romare Bearden
The Kelmscott Chaucer William Morris
No Child Left Behind Christopher C. Kaufman
Self-Portrait as Infanta Maria Teresa Dreaming Madame de Sade Julie Heffernan
Untitled Jean-Michel Basquiat
Emily Dickenson in the Painted Desert Amanda Lechner
Two Women in the Street Ernst Ludwig Kirchner
Four Panels Ellsworth Kelly
Talking Philip Guston
The unifying idea for the portfolio is that the student focuses on making decisions about how to use the principles and elements of art to create works of art that convey meaning. The Survivors Käthe Kollwitz
King Oliver Jazz Band The orchestration of the elements of design according to the principles of design is what is evaluated in the 2-D design portfolio.
elements of design Line Untitled Cy Twombly
elements of design Shape Formation I Arthur Dove
elements of design Space Carceri, Plate XI Giovanni Battista Piranesi -
elements of design Color New York Elevated Stuart Davis
elements of design Value The Unmade Bed Imogen Cunningham
elements of design Texture Night Shadows Edward Hopper
elements of design Pattern The Poet #2 Miriam Schapiro
principles of design Figure / Ground Toilette of Salome Aubrey Beardsley
principles of design Balance Tumbling Pig Hill Nick Bantok
principles of design Unity Jerusalem Anselm Kiefer
principles of design Variety La Musique Henri Matisse
principles of design Emphasis editorial design Richard Hart
principles of design Rhythm Rayograph 1926 Man Ray
principles of design Proportion / Scale Millions stand behind me John Heartsfield
Principles of 2-D design Informed by Gestalt Laws of Perception Kurt Koffka Wolfgang Kohler Max Wertheimer
(The core of visual thinking is)“how an image is composed of its parts” Rudolf Arnheim Sky and Water MC Escher (The core of 2-d design is)“how an image is composed of its parts” Penny paraphrasing Rudolf Arnheim
Gestalt Laws of Perception Charlton Heston in The Ten Commandments & the Principles of 2-D Design
Figure / Ground = Law of Closure & Law of Similarity Law of Closure The mind “fills in the blanks”in order to complete a regular figure . Law of Similarity The mind groups similar* elements into collective entities. *form, color, size, or brightness for example Who is the AntiSemite? Paanat Ernest Pignon Ernest
Stable Figure / Ground First Solitude Manuel Alvarez Bravo
Unstable (Ambiguous) Figure / Ground Ambiguous figure / ground relationships often used in logo design Centex Corp.Hearts and Hammers program logo Munday Morning Creative Group -
Unity = Law of Similarity & Law of Proximity Law of Similarity The mind groups similar*elements into collective entities. *similar in color, form, or brightness for example Law of Proximity The mind sees elements that are close together as being related. Who is the AntiSemite? Paanat Francisco Argumosa
Unity Similar shapes close together become a group & unify the composition Lee Friedlander Boy in Window, Baltimore
Unity similarity of textures promotes unity Jerusalem Anselm Kiefer
Unity repeated color harmonies promote unity Fiesta George Tooker
Unity repeated shapes promote unity Lantern Bearers Maxfield Parrish
Variety Contrasting color, pattern and texture create visual interest X Law of Similarity The mind groups similar*elements into collective entities. *similar in color, form, or brightness for example Law of Similarity - disrupted La Musique Henri Matisse Law of Common Fate Elements with the same moving direction are perceived as a collective or unit Law of Continuity The mind continues visual, auditory, and kinetic patterns.
Variety = Law of Similarity - disrupted Cindy Sherman Untitled Film Still #21 Focal point created by contrast of shape
Variety = Law of Continuity disrupted focal point created by isolating a shape Spring Way Romare Bearden
focal point created by color contrast editorial design Richard Hart
Variety = Law of Common Fate & Law of Continuity Focal point created by “lines of force” - elements direct the eye toward focal point Sharkeys George Bellows Law of Common Fate Elements with the same moving direction are perceived as a collective or unit Law of Continuity The mind continues visual, auditory, and kinetic patterns.
Shiva at Whistle Creek Sally Mann
Rhythm = Law of Continuity Law of Continuity The mind continues visual, auditory, and kinetic patterns. The Mysteries of Harris Burdick Chris Van Allsburg
Rhythm visual elements repeat in such a way as to evoke a “beat” “regular” rhythm Rayograph 1926 Man Ray
“irregular” / contrapuntal rhythm Monte Carlo Marcel Duchamp
Balance = Memory & Empathy “Perception is an active pattern-seeking process that works in two ways. Firstly by filling in incomplete patterns and secondly by finding a desired pattern embedded in distracting surroundings.” Edward Prince No Place for Racism
Intelligence within perception Memory & Memory Man Dad Karin Higgins
Balance - Visual Weight Compositional “hot spots” - a reaction to the experience of gravity upon the body, and the way text is read (in the west)