Everything You Need to Know About Albanian Music

1. Everything You Need to Know About Albanian Music

2. Albania is located in southeastern Europe, bordering the Adriatic Sea and the Ionian Sea, between Greece to the south and Montenegro and Kosovo to the north.

3. Albanian music is a combination of the music of Southeastern Europe, especially Turkish music, as the Ottoman Empire ruled Albania for more than 500 years.

4. Albanian Folk Music • Albanian folk music or albanian music includes the traditions of the north of Gheg and the laboratories and toscos of the south. Albanian folk songs comprise heroic epics, lullabies, love songs, wedding music, work songs and other types of songs. • Epic songs from northern Albania include këngëtrimash (songs of bravery), këngëkreshnikësh, ballads, and majekrahi (screams). The most traditional form of epic poetry is called RapsodiKreshnike (Poems of Heroes). These epic poems are sung accompanied by a lahuta, a single-string violin. It is rarely performed in modern Albania, but is found in the

5. In Dibër and Kërçovë in Macedonia, the çifteli is used. It is a two-string instrument in which one string is used for the drone and the other for the melody. Other musical instruments include the zumarë (reed), an unusual type of clarinet. • Maje-krahi songs were originally used by mountain dwellers to communicate over great distances, but are now seen as regular songs. Maje-krahi songs require the full range of the voice. • The music of southern Albania is polyphonic. Vlorë in the Southwest has one of the most unique vocal traditions in the area, with four sections (catcher, pitcher, tumbler and drone) that combine to create a complex and emotionally cathartic melody.

6. Southern Albania is also known for funeral lamentation with a choir and one or two soloists with sad voices superimposed. In the south, there is an outstanding popular tradition of love albania song, in which artists use free rhythms and consonant harmonies, elaborated with ornamentation and melisma. • The rough people are known for ensembles consisting of violins, clarinets, llautë (a kind of lute), and def. • Southern instrumental music includes the quiet kaba, an ensemble form conducted by a clarinet or violin along with accordions and llautës. The kaba is an improvised and melancholic style with melodies. • The ethnic Greek population of Dropulli performs music very similar to the music of Epirus in Greece.

7. Albanian Folk Iso-polyphony • Albanian isopolyphony set - Photo by Vasil S.Tole, courtesy of UNESCO • Traditional Albanian polyphonic music can be divided into two main stylistic groups performed by the Ghegs of northern Albania and the Tosks and Labs living in the southern part of the country. • The term iso is related to the ison of Byzantine religious music and refers to the hum that accompanies polyphonic chant. • The drone is run in two ways: among Tosks, it is always continuous and is sung on the syllable 'e', ​​using staggered breathing, while among Labs, the drone is sometimes sung as a rhythmic tone, played at the same time. song text.

8. Albanian Music 2021 mainly performed by male singers, the music traditionally accompanies a wide range of social events, such as weddings, funerals, harvest festivals, religious celebrations, and festivals such as the well-known Albanian hits folk festival in Gjirokastra. • Albanian isopolyphony is characterized by songs consisting of two solo parts, a melody and a counter-melody with a choral hum. The structure of the solo parts varies according to the different forms of execution of the drone, which has a great variety of structures, especially in the popular style adopted by all the groups that perform this music.

9. During the past decades, the modest increase in cultural tourism and the growing interest of the research community in this unique folk tradition have contributed to the resurgence of Albanian songisopolyphony. However, the tradition is negatively affected by poverty, the absence of legal protection, and the lack of financial support for practitioners, which threatens the transmission of the vast repertoire of songs and techniques. • The rural exodus of young people to the big cities and abroad in search of work compounds this danger. Given these conditions, at present, the transmission of this tradition is maintained through professional folk artists, rather than within the family structure.

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