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Graphics and Image Data Representations

Digital Media Computing. Graphics and Image Data Representations. by Amy Zhang. Outline. Graphics/Image Data Types Popular File Formats. Graphics/Image Data Types. The number of file formats used in multimedia continues to proliferate some file formats used in Macromedia Director.

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Graphics and Image Data Representations

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  1. Digital Media Computing Graphics and Image Data Representations by Amy Zhang

  2. Outline • Graphics/Image Data Types • Popular File Formats

  3. Graphics/Image Data Types • The number of file formats used in multimedia continues to proliferate • some file formats used in Macromedia Director Details on Director file formats: http://www.cs.sfu.ca/CC/365/mark/ material/notes/Chap3/Chap3.2/director_file_formats.html

  4. 1-bit Images • Binary image: Each pixel is stored as a single bit (0 or 1). • Such an image is also called a 1-bit monochrome image since it contains no color (e.g. 'Lena').

  5. 8-bit Gray-level Images • Each pixel is represented by a single byte (a gray-value between 0 and 255). • Bitmap: The two-dimensional array of pixel values that represents the graphics/image data. • Image resolution:refers to the number of pixels in a digital image (higher resolution always yields better quality). • e.g.,a high resolution image is 1,600 x1,200, a lower resolution is 640 x 480 (= 307,200, so requires 300 kB of storage).

  6. Frame buffer: Hardware, i.e.,video card (a graphics card), used to store bitmap. • The resolution of the video card does not have to match the desired resolution of the image, but if not enough video card memory is available then the data has to be shifted around in RAM for display. • 8-bit image can be thought of as a set of 1-bit bit-planes • each plane consists of a 1-bit representation of the image at higher and higher levels of 'elevation': a bit is turned on if the image pixel has a nonzero value that is at or above that bit level.

  7. 6 7 5 4 3 2 1 0 Bit-Plane Slicing Higher-order bit planes contain the majority of the visually significant data Lower-order bit planes contribute to more subtle details in the image

  8. Dithering • Dithering: trades intensity resolution for spatial resolution to provide ability to print multi-level images on 2-level (1-bit) printers. • values from 0 to 255 correspond to patterns that are more and more filled at darker pixel values. • a larger pattern, say 2 x 2 or 4 x 4, replaces a pixel value such that the number of printed dots approximates the varying-sized disks of ink used in analog, in halftone printing. • an analog process that uses smaller or larger filled circles of black ink to represent shading, for newspaper printing, e.g., a 2 x 2 dither matrix • re-map image values in 0..255 into the range 0..4 by dividing by 256/5. Then, e.g., if 0, print nothing in a 2 x 2 area of printer output; if 4, print all four dots

  9. The rule is: if the intensity is > the dither matrix entry then print an on dot at that entry location: replace each pixel by an n x nmatrix of dots. • The image size may be much larger for a dithered image, since replacing each pixel by a 4 x 4 array of dots, makes an image 16 times as large. • To get around this problem, suppose we wish to use a 4 x 4 dither matrix • An ordered dither: turns on the printer output bit for a pixel if the intensity level > the particular matrix element just at that pixel position.

  10. An algorithm for ordered dither, with n x n dither matrix, is as follows: BEGIN for x= 0 to xmax// columns for y= 0 to ymax// rows i= x mod n j = y mod n // I(x, y) is the input, O(x, y) is the output, //D is the dither matrix. if I(x, y) > D(i, j) O(x, y) = 1; else O(x, y) = 0; END

  11. Image Data Types • The most common data types for graphics and image file formats — 24-bit color and 8-bit color. • in a 24-bit color image, each pixel is represented by 3 bytes (RGB), which supports 256 x 256 x 256 (16,777,216) possible combined colors. - a 640 x 480 24-bit color image would require 921.6 kB of storage without any compression.

  12. Most image formats incorporate some variation of a compression technique due to the large storage size of image files (lossless or lossy). • There are 'cross-platform'formats VS. formats restricted to particular hardware / operating system platforms (can be recognized and translated). • Many 24-bit color images are actually stored as 32-bit images (RGBA) for representing special effect information (e.g., transparency). • 8-bit color images: use 8 bits of color information (the so-called '256 colors') to produce a screen image. • a lookup tableis used to store color information. • the image stores not color, but a set of bytes, each of which is actually an index into a table with 3-byte values that specify the color for a pixel with that lookup table index.

  13. A 3D color histogramshows the count of how many pixels belong to each of these colors stored in that cell.

  14. Clustering: to generate the most important colors from a 24-bit color image, expensive. • The resulting 8-bit image, in GIF format. • the great savings in space for 8-bit images, over 24-bit ones: a 640 x 480 8-bit color image only requires 300 kB of storage, compared to 921.6 kB for a color image ( without compression).

  15. Color Look-up Tables (LUTs) • The idea used in 8-bit color images is to store only the index, or code value, for each pixel.

  16. A Color-picker consists of an array of fairly large blocks of color (or a semi-continuous range of colors) such that a mouse-click will select the color indicated (e.g., Photoshop). • a color-picker displays the palette colors associated with index values from 0 to 255. • Color-picker for 8-bit color: each block of the color-picker corresponds to one row of the color LUT. • A very simple animation process is possible via simply changing the color table: this is called color cycling or palette animation.

  17. Dithering: pixels of two colors are placed very close to each other so that the human eye is not able to distinguish the colors individually but, rather, sees a new color that is the combination of the two. • 'Lena' is reduced to only 5 bits via dithering.

  18. How to devise a color look-up table • Divide the RGB cube into equal slices in each dimension. • The centers of each of the resulting cubes would serve as the entries in the color LUT • Scaling the RGB ranges 0..255 into the appropriate ranges would generate the 8-bit codes. • Since humans are more sensitive to R and G than to B, we could shrink R and G 0..255 into 3-bit (0..7) and shrink B down to 2-bit (0..3). • To shrink R and G, we could simply divide the R or G byte value by (256/8)=32 and then truncate. • Problems arise that if a slight change in RGB results in shifting to a new code, an edge appears, and this can be quite annoying perceptually.

  19. Median-cut algorithm: A better alternate solution. • A type of adaptive partitioning scheme tries to put the most bits, the most discrimination power, where colors are most clustered. • Sort the R byte values and find their median; then values < the median are labelled with a '0' bit and values > the median are labelled with a '1' bit. • Consider pixels with '0' and sort their G values. Lable '0' for those < the median in the greens and '1' for the greater. Similarly for pixels with '1' in R. Carrying on to B, we have a 3-bit scheme. • Repeat all steps, R, G, B, results in a 6-bit scheme, and cycling through R and G once more results in 8 bits. • The corresponding 24-bit colors can be the centers of the resulting small color cubes.

  20. Steps: • find the smallest box that contains all the colors in the image. • sort the enclosed colors along the longest dimension of the box • split the box into 2 regins at the median of the sorted list • repeat the above process in 2 and 3 until the original color space have been divided into, say, 256 regions. • for every box, call the mean of R, G, and B in that box the representative (the center) color for the box. • bosed on the Euclidean distance between a pixel RGB valve and the box centers, assign every pixel to one of the representative colors. Replace the pixel by the code in a lookup table that indexes representative colors (in the table, each representative color is 24-bitx -- 8 bits each for R, G and B.)

  21. Popular File Formats • 8-bit GIF: • Graphics Interchange Format • one of the most important formats • the first image type recognized by net browsers. • JPEG: • Joint Photographic Experts Group (a working group of ISO) • currently the most important standard for image compression.

  22. GIF • GIF standard: (simple, yet contains many common elements.) • limited to 8-bit (256) color images only • while producing acceptable color images, it is best suited for images with few distinctive colors (e.g., graphics or drawing) • supports interlacing — successive display of pixels in widely-spaced rows by a 4-pass display process. • GIF actually comes in two flavors: 1. GIF87a: The original specification. 2. GIF89a: The later version. Supports simple animation via a Graphics Control Extension block in the data, provides simple control over delay time, a transparency index, etc.

  23. GIF87 • the standard specification

  24. Screen Descriptor comprises a set of attributes that belong to every image in the file.

  25. Color Map • the actual length of the table equals 2(pixel+1) as given in the Screen Descriptor.

  26. Image Descriptor

  27. If the “interlace” bit is set in the local Image Descriptor, then the rows of the image are displayed in a four-pass sequence

  28. We can investigate how the file header works in practice by having a look at a particular GIF image. • in UNIX, issue the command: od -c forestfire.gif | head -2 and we see the first 32 bytes interpreted as characters: G I F 8 7 a \208 \2 \188 \1 \247 \0 \0 \6 \3 \5 J \132 \24 | ) \7 \198 \195 \ \128 U \27 \196 \166 & T • To decipher the remainder of the file header (after ‘GIF87a’), we use hexadecimal: od -x forestfire.gif | head -2 with the result 4749 4638 3761 d002 bc01 f700 0006 0305 ae84 187c 2907 c6c3 5c80 551b c4a6 2654

  29. JPEG • The human vision system has some specific limitations and JPEG takes advantage of these to achieve high rates of compression. • JPEG allows the user to set a desired level of quality, or compression ratio (input divided by output). • since it is easy to choose how large a denominator to use and hence how much information to discard. • e.g., forestfire.jpeg • a JPEG image with a quality factor Q=10% yields 1.5% of the original image size. Q=75% yields an image size 5.6% , while a GIF image yieldsan image size 23.0% .

  30. PNG • PNG format(Portable Network Graphics) • System independent, stemming from the popularity of the Internet. • To supersede the GIF standard, and extends it. • The patent on the LZW compression method. • Features: • Support for up to 48 bits of color information. • Files may contain gamma-correction information for correct display of color images, as well as alpha-channel information for such uses as control of transparency. • The display progressively displays pixels in a 2-dimensional fashion by showing a few pixels at a time over seven passes through each 8 x 8 block of an image.

  31. TIFF • TIFF(Tagged Image File Format) -- flexiblily support for attachment of additional information (referred to as 'tags'). • The most important tag is a format signifier: what type of compression etc. is in use in the stored image. • E.g., TIFF can store many different types of image: 1-bit, grayscale, 8-bit color, 24-bit RGB, etc. • TIFF was originally a lossless format but now a new JPEG tag allows JPEG compression. • Since TIFF is not as user-controllable as JPEG, it does not provide any major advantages over the latter.

  32. EXIF • EXIF (Exchange Image File) is an image format for digital cameras: • Compressed EXIF files use the baseline JPEG format. • A variety of tags (many more than in TIFF) are available to facilitate higher quality printing, since information about the camera and picture-taking conditions (flash, exposure, light source, white balance, type of scene, etc.) can be stored and used by printers for possible color correction algorithms. • The EXIF standard also includes specification of file format for audio that accompanies digital images. It also supports tags for information needed for conversion to FlashPix (developed by Kodak).

  33. Graphics Animation Files • A few dominant formats aimed at storing graphics animations (i.e., series of drawings or graphic illustrations) as opposed to video (i.e., series of images). • Difference: animations are considerably less demanding of resources than video files. 1. FLC is an animation or moving picture file format; it was originally created by Animation Pro. Another format, FLI, is similar to FLC. 2. GL produces somewhat better quality moving pictures. GL animations can also usually handle larger file sizes. 3. Many older formats: such as DL or Amiga IFF files, Apple Quicktime files, as well as animated GIF89 files.

  34. PS and PDF • Postscriptis an important language for typesetting, and many high-end printers have a Postscript interpreter built into them. • Postscript is a vector-based picture language, rather than pixel-based: page element definitions are essentially in terms of vectors. • With fonts defined this way, PostScript includes text as well as vector/structured graphics • GL bit-mapped images can be included in output files. • Encapsulated Postscript files add some additional information for inclusion of Postscript files in another document. • Postscript page description language itself does not provide compression; Postscript files are stored as ASCII.

  35. Another text + figures language has begun to supersede or at least parallel Postscript: Adobe Systems Inc. includes LZW compression in its Portable Document Format (PDF) file format. • PDF files that do not include images have about the same compression ratio, 2:1 or 3:1, as do files compressed with other LZW-based compression tools.

  36. Some Other JPEG Formats • Microsoft Windows: WMF (Windows MetaFile): the native vector file format for the MS Windows operating environment: • Consist of a collection of GDI (Graphics Device Interface) function calls, also native to the Windows environment. • When a WMF file is 'played' (typically using the Windows PlayMetaFile() function) the described graphics is rendered. • WMF files are ostensibly device-independent and are unlimited in size.

  37. Microsoft Windows: BMP (BitMap): the major system standard graphics file format for MS Windows, used in Paint and other programs. Many sub-variants within the BMP standard. • Macintosh: PAINT and PICT: 1. PAINT was originally used in the MacPaint program, initially only for 1-bit monochrome images. 2. PICT format is used in MacDraw (a vector-based drawing program) for storing structured graphics. • X-windows: PPM (Portable PixMap): the graphics format in the X Window system for storing icons, pixmaps, backdrops, etc. PPM supports 24-bit color bitmaps.

  38. Thank you! Q&A

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