1 / 61

Basic Elements of Poetry

Discover how poetry and art intertwine as creative mediums, using Vincent Van Gogh's "The Starry Night" as a starting point. Explore the interpretations of poets Robert Fagles and Anne Sexton and delve into the emotional depths of the painting through their words.

rsmoot
Download Presentation

Basic Elements of Poetry

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Basic Elements of Poetry

  2. Poetry and art go together as sources of creative expression. Sometimes, these two mediums even intertwine as a poet reflects upon a painting as a starting point for a piece of writing. The poet may interpret what is happening in the scene or what the painter was feeling when creating the masterpiece. Since the poem is an interpretation, it may or may not reflect what you see in the painting. Consider these examples. Robert Fagles and Anne Sexton both chose to write about Vincent Van Gogh's painting, “The Starry Night”.

  3. "The Starry Night" Anne Sexton The town does not exist except where one black-haired tree slips up like a drowned woman into the hot sky. The town is silent. The night boils with eleven stars. Oh starry starry night! This is how I want to die.

  4. It moves. They are all alive. Even the moon bulges in its orange irons to push children, like a god, from its eye. The old unseen serpent swallows up the starts. Oh starry starry night! This is how I want to die:

  5. into that rushing beast of night, sucked up by that great dragon, to split from my life with no flag, no belly, no cry.

  6. "The Starry Night" by Robert Fagles Long as I paint I feel myself less mad the brush in my hand a lightning rod to madness But never ground that madness execute it ride the lightning up from these benighted streets and steeple up with the cypress look its black is burning green

  7. I am that I am it cries it lifts me up the nightfall up the cloudrack coiling like a dragon's flanks a third of the stars in heaven wheeling in its wake wheels in wheels around the moon that cradles round the sun and if I can only trail these whirling eternal stars with one sweep of the brush like Michael's sword if I can cut the life out of the beast - safeguard the mother and the son all heaven will hymn in conflagration blazing down the night the mountain ranges down the claustrophobic valleys of the mad

  8. Madness is what I have instead of heaven God deliver me - help me now deliver all this frenzy back into your hands our brushstrokes burning clearer into dawn.

  9. What aspect of the painting did each poet choose to focus on as a starting point for writing? What is the tone of each poem and which reflects more closely what you see as the mood of the painting? What details of the painting do you see in the poems? Who is the speaker of each poem? Why did Fagles use the pronoun "our" in the last line of his poem?

  10. Poetry Is usually defined simply as a patterned expression of ideas in imaginative terms, USUALLY (but not necessarily) containing rhyme and a specific meter.

  11. Form Closed: allows the poet to establish a pattern that will help him or her create the desired meaning or sound. Open: allows the poet to write freely without worrying about trying to make the words fit a specific meter or rhyme scheme.

  12. Who is the speaker? the voice telling the poem; a poem may have more than one speaker; the speaker and the poet are not necessarily the same

  13. Diction Diction refers to the word choices that a poet makes. Because poems are usually very concise, a poet has to make the most of every word he or she uses. Using specific, concrete words helps writers to do that. For example, a general word would be "car". Now, if you were to say this word in a classroom of twenty-five students and ask each to draw a picture of a car, you would most likely have twenty-five very different pictures. However, if you change that word to a specific word, like "Mustang", the pictures of the cars would suddenly start to look much more similar to each other. Specific word choices help create a more definite picture in the reader's mind.

  14. Similes and Metaphors A simile compares two unlike objects, using like or as. A metaphor compares two unlike objects, without using like or as.

  15. "She dances like an angel." and "She is an angel." Notice that the metaphor is actually open to more interpretation than the simile, because there are more connections that the reader can make. In saying that she dances like an angel, the reader is not examining the girl's personality or physical appearance, only the way she dances. In the metaphor, however, the reader can link as many attributes of the girl to an angel as the imagination permits; she looks angelic, she has a charitable disposition, she brings light wherever she goes, she is very graceful.

  16. An allusion is a reference to an object, person, or event from another literary work, history, society, etc., that the reader is expected to understand. The allusion will have connotations for the reader and help the reader understand more fully the point the poet is trying to make. Allusion

  17. For example, one place that most people in our culture can identify and explain is Eden. If, in a piece of writing, the poet refers to a place as Eden, the reader understands through the Biblical allusion the setting the writer is trying to create without the time and space a detailed description of a paradise would inevitably take without such an allusion. Therefore, the one word Eden helps the reader to understand the type of setting and also the writer's attitude toward that setting. On the contrary, referring to a place as Hades, a mythological allusion, would conjure up quite a different image for the reader and create a much different tone.

  18. Assignment: For each of the allusions below, briefly explain what the term makes you think of. Also, identify the type of allusion as biblical, mythological, historical, literary, or social. If there is an allusion that you don't understand (as there often will be), use your resources to find out what it is referring to. 1. He's a real Einstein. 2. Her class was the Alcatraz of the "classroom as prison" world. 3. The teacher stood in her doorway, a siren beckoning in the new students. 4. It was no Tara, but it was a nice house. 5. He thinks of himself as a modern-day Romeo. 6. Her hands are as clean as Lady MacBeth's. 7. My mother-in-law would easily blend in at a Gorgon reunion. 8. The new leader is a Hussein on a smaller scale. 9. As I looked around, I knew I had reached the belly of the whale. 10. If the class could, they would vote him "Most likely to become Johnny Knoxville".

  19. Symbolism and Allegory A symbol is an object or action that means something beyond itself. An allegory is a group of symbols used in a story, such as a fable, which teaches a lesson.

  20. If you are in class and look over to see a friend rolling her eyes, that action symbolizes to you that she is bored. All she did was to move her eyes from one side to another, but you took it to mean something more: the class wasn't exciting and your friend wanted to communicate that to you without using words. For example, one common symbol is water. In some contexts water can represent life, as it is necessary for growth. However, in other contexts it can represent destruction, as in a flood or tempest. Fire can be used the same way. It can be a destructive force and represent death, but it can also represent purgation or purification. Therefore, a reader must always look at the context in which the symbol is used before interpreting it.

  21. Syntax Syntax refers to the word order of words in a sentence, phrase, or clause. Poets use syntax as they use any other rhetorical device --to create meaning.

  22. Imagery Imagery refers to the details poets include that appeal to one of your senses; that is, the details cause you to feel something, hear something, smell something, taste something, or see something. This can only be done through concrete, specific details that trigger a response from your everyday life.

  23. We see the sun rise and set, we hear children yelling and horns honking, we smell bread baking; we feel the bitter sting of cold wind, and we taste the bitterness of vinegar. Poems that include these details trigger emotional responses from our memories and therefore create reactions in the reader. Sometimes the imagery in a poem can refer to a pattern of related details. For example, there may be patterns of light and dark imagery, and they may convey a meaning beyond what is being literally described. They are then called metaphorical or symbolic images. Light and dark images might indicate knowledge or ignorance or death.

  24. How can a poet create sound? • Rhyme • Rhythm • Meter • Alliteration • Assonance • Consonance

  25. When people are asked to define poetry, they often say, "Lines that rhyme." It is true that poems can rhyme, but you should be very careful when trying to make a poem rhyme. One mistake that beginning poets make is to start with one line, and then simply brainstorm rhyming words to shape the next line. Instead, you should come up with the poem first, and then revise to include rhyme. That way, you make sure that the message is what shapes the poem and it doesn't go off course because you had to choose a word that rhymed but didn't make sense.

  26. There are different kinds of rhymes, and poetic license makes it okay for writers to use any of these types and maintain a rhyme scheme. • True rhyme: words that rhyme with all ending sounds: Example: trouble and bubble. • Slant rhyme: words that are very similar on the end but do not truly rhyme. Example: quick and look; dizzy and easy • Sight rhyme: words that look alike but do not rhyme. Example: though and bough; good and food • End rhyme: words that rhyme and occur at the ends of different lines of poetry • Internal rhyme: two words that rhyme within one line of poetry

  27. Rhyme the similarity or likeness of sound existing between two words; the repetition of sounds that are similar or identical; expresses strong feelings and enhances the meaning and impact of poetry

  28. Rhyme Scheme • the pattern of rhyme in a poem. To get the rhyme scheme, each line in the poem is assigned a letter. The first line gets an "A". If the next line rhymes with the first, give it an "A" also. If not, give it a "B". Continue throughout the poem, following the same rules: if the end word rhymes with anything before, match that letter. If not, give it the next unused letter of the alphabet.

  29. Rhythm the regular pattern of stressed and unstressed syllables (beats) we hear in poetry; stress is simply the greater amount of emphasis we give to a syllable in speaking; stressed syllable is accented (long); unstressed syllable is unaccented (short)

  30. Meter the pattern of rhythm in a line of poetry; from the Greek word meaning "measure"; the type of meter depends upon the placement of stress within each poetical foot

  31. Standard Metrical Units

  32. Identify the type of metrical foot in each of the words below. Use a dictionary if necessary. • 1. happy • 2. misty • 3. broken • 4. angrily • 5. lyrical

  33. Determine the metrical pattern in the following lines • This above all to thine own self be true • This-a-bove-all-to-thine-own-self-be-true

  34. To find the rhythm of the line, find the pattern of the stressed and unstressed syllables, and then see how many times that pattern repeats itself throughout the line. For example, if the meter is trochaic, (Da da), and there are five sets of Da da in the line (for a total of ten syllables), the rhythm would be iambic pentameter.

  35. Alliteration • Alliteration: Repetition of initial sounds of words in a row. Example: Peter Piper picked a peck of pickled peppers. (Of course, alliteration is not always so obvious)

  36. Assonance • Assonance: Repetition of internal vowel sounds of words close together in poetry. Example: I made my way to the lake.

  37. Consonance • Consonance: Repetition of internal or ending consonant sounds of words close together in poetry. Example: I dropped the locket in the thick mud.

  38. Read the following excerpt from Miss Spider's Wedding by David Kirk and identify the various ways he creates sounds. • "They talked of all their dreams and hopes, • Of art and nature, love and fate. • They peered through toy kaleidoscopes • And murmured thoughts I shan't relate. • Then Holley held Miss Spider's hand... • I'll say no more, you understand. • For private moments between spiders • Should not be witnessed by outsiders."

  39. Read the following excerpt from Miss Spider's Wedding by David Kirk and identify the various ways he creates sounds. • "They talked of all their dreams and hopes, • Of art and nature, love and fate. • They peered through toy kaleidoscopes • And murmured thoughts I shan't relate. • Then Holley held Miss Spider's hand... • I'll say no more, you understand. • For private moments between spiders • Should not be witnessed by outsiders."

  40. Read the following excerpt from Miss Spider's Wedding by David Kirk and identify the various ways he creates sounds. • "They talked of all their dreams and hopes, • Of art and nature, love and fate. • They peered through toy kaleidoscopes • And murmured thoughts I shan't relate. • Then Holley held Miss Spider's hand... • I'll say no more, you understand. • For private moments between spiders • Should not be witnessed by outsiders."

  41. Read the following excerpt from Miss Spider's Wedding by David Kirk and identify the various ways he creates sounds. • "They talked of all their dreams and hopes, • Of art and nature, love and fate. • They peered through toy kaleidoscopes • And murmured thoughts I shan't relate. • Then Holley held Miss Spider's hand... • I'll say no more, you understand. • For private moments between spiders • Should not be witnessed by outsiders."

  42. Using Form • Verse Forms • Types of Poems

  43. Verse Forms Rhymed Verse:  contains end rhyme and usually has a regular meter and rhyme scheme; rhyming coupletsmeans that every two lines rhyme; an example of "closed form" Blank Verse:  contains a fixed rhythm and regular line length. Free Verse:  poetry free of traditional metrical and stanzaic patterns; no fixed rhythm or rhyme scheme; uses everyday (colloquial) language, natural speech rhythms, and differing line lengths; key feature is its departure from traditional meters; an example of "open form“.

  44. Types of poems Ballad Tercets Couplets Sonnet Sestina Villanelle Acrostic Haiku

  45. Ballad A group of 4 lines is a STANZA. The ballad has a rhyme at the end of line number 2 and line number 4. A-B-C-B Poem meant to be sung

  46. Tercet Tercets have 3 lines.

  47. Couplets Couplets have 2 lines that rhyme.

  48. Sonnet Sonnets are composed of 14 lines. Always ends with a couplet. Rhyme scheme: ABAB CDCD EFEF GG

  49. Sonnet Example One of the hardest things is poetry, Reading, thinking, finding what words do mean, I bet you're wondering how this could be, Never easy to find the hidden theme. Please spare me all the meter, rhyme, spondee, I can't believe I had to take this class, I do despise it - means nothing to me, Sometimes I do feel like such a striped bass. As much as I can try so hard to see, I have to say that poetry is tough, To comprehend it takes eternity, To understand the rules is not enough. To learn about this thing called poetry, I wish that someone could do it for me.

More Related