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Australian Modernism 1939-1950. Australian Romantic Realism Russell Drysdale (1912-1981) William Dobell (1899-1970). Russell Drysdale (1912-1981). Russell Drysdale, Moody's pub , 1941 oil on plywood, 50.9 x 61.4cm.
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Australian Modernism 1939-1950
Australian Romantic Realism Russell Drysdale (1912-1981) William Dobell (1899-1970)
Russell Drysdale, Moody's pub, 1941 oil on plywood, 50.9 x 61.4cm
Russell Drysdale, The drover’s wife, 1945oil on canvas, 51.5 x 61.5cm
Russell Drysdale, Two children, 1945-1946 oil on canvas on composition board, 60.6 x 50.8cm
Russell Drysdale, The rabbiters, 1947 oil on canvas, 76.6 x 102.5cm
William Dobell, The Cypriot, 1940 oil on canvas, 123.3. x 123.3 cm
William Dobell, The billy boy, 1943 oil on cardboard on hardboard, 70.2 x 53.4 cm
William Dobell, Study for Joshua Smith, 1943 oil on cardboard on hardboard, 48 x 32 cm
William Dobell, Portrait of an artist (Joshua Smith), 1943oil on canvas, 107 x 76cm
William Dobell, Margaret Olley, 1948 Oil on hardboard, 117 x 91.5 cm
William Dobell, Margaret Olley (detail), 1948 Oil on hardboard, 117 x 91.5 cm
The ‘Rebellious Generation’ “The members of the rebellious generation – Noel Counihan, Albert Tucker, Sidney Nolan, Max Harris, John Reed and Bernard Smith – created a movement of revolt more volatile than anything hitherto seen in Australia. They were revolutionaries … struggling to come to terms with the modern world and its history. With much in common, they were also divided in their view on the nature of society, nature and culture, and of the art that could give expression to authentic Australian experience.” Richard Haese, Rebels and Precursors: The revolutionary years of Australian art
Noel Counihan,Portrait of William Dolphin, the Violinmaker, 1945oil on hardboard, 102.2 x 86.9 cm
Noel Counihan,On the eve of the elections 1955oil on composition board, 52.8 x 91.5 cm
Danila Vassilieff (1897-1958) & Josl Bergner (1913-)
Josl Bergner, The pie eaters, 1940oil on hardboard 50.0 x 60.6 cm
Josl Bergner, Aborigines in Fitzroy, 1941oil on board 62 x 49.5 cm
Danila Vassilieff, Koornong Schoolgirl, 1941Oil on canvas 43.5 x 36.2 cm
Sidney Nolan, Glenrowan, 1945Ripolin on strawboard 63.5 x 76.2 cm
Sidney Nolan, Kelly and Horse, 1946Ripolin on board 92.1 x 122.4 cm
Sidney Nolan, Ned Kelly, 1946 Enamel on composition board, 90.4 x 121.2 cm, National Gallery of Australia
Sidney Nolan, Pretty Polly Mine, 1948Ripolin on hardboard, 91.5 x 122 cm
Sidney Nolan, Burke and Wills Expedition ,1948Ripolin on board, 91.3 x 122.2 cm
Sidney Nolan, Central Australia, 1950Ripolin on board, 91.4 x 122.3 cm
Arthur Boyd,The Expulsion, 1947-48Oil on tempera on composition board, 101.6 x 122 cm
Arthur Boyd,Wheatfield, Berwick, 1948Oil on canvas, 52 x 64cm
Arthur Boyd, Irrigation lake, Wimmera, 1950 resin and tempera on composition board, 81.4 x 121.9cm
Arthur Boyd, The Waterhole, c.1954 Enamel paint on composition board, 88.6 x 119.8 cm
Arthur Boyd, Shearers playing for a bride, 1957 oil and tempera on canvas, 150.1cm x 175.7cm
Albert Tucker, Victory girls, 1943 oil on cardboard, 64.6 x 58.7 cm
Albert Tucker, Study for ‘Images of modern evil, Spring in Fitzroy,’ 1943 Gouache on paper on board, 41 x 47.9 cm
Albert Tucker, Images of Modern Evil #9, 1944Oil on canvas, mounted on composition board, 51.8 x 63 cm, National Gallery of Australia
Joy Hester, Study of a woman, 1938 Charcoal, 36.3 cm x 26.0 cm
Joy Hester, Two girls in a street, c. 1941 watercolour, pen and ink 28.2 cm x 38.8 cm
Joy Hester, Frightened woman, 1945 brush and ink, wash 31 cm x 20 cm
Joy Hester, Love II, c. 1950 brush and ink, gouache, crayon, collage, 55.8 cm x 39.4 cm