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October 15, 2011 through April 29, 2012. Pablo Picasso, Still Life with Liqueur Bottle, Horta de San Joan, August 1909 , oil on canvas. Pablo Picasso , Girl before a Mirror, Boisgeloup, March 1932, oil on canvas.
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Pablo Picasso, Still Life with Liqueur Bottle, Horta de San Joan, August 1909, oil on canvas.
Pablo Picasso, Girl before a Mirror, Boisgeloup, March 1932, oil on canvas.
Pablo Picasso, Night Fishing at Antibes, Antibes, August 1939, oil on canvas.
Henri Matisse, Dance (I), Paris, Boulevard des Invalides, early 1909, oil on canvas.
Henri Matisse, Dahlias and Pomegranates, 1947, ink on paper.
Henri Matisse, Maquette for Nuit de Noël, 1952, gouache on paper, cut-and-pasted, mounted on homasote panel.
Constantin Brancusi, The Newborn, version I, 1920 (close to the marble of 1915), bronze.
Piet Mondrian, Composition with Color Planes 5, 1917, oil on canvas.
Piet Mondrian, Composition No. II, with Red and Blue, 1929 (original date partly obliterated; mistakenly repainted 1925 byMondrian), oil on canvas.
Marcel DuChamp, Rotoreliefs (Optical Disks), 1953, series of six offset lithographs, printed in color both sides.
Marcel DuChamp, In Advance of the Broken Arm, August 1964 (fourth version, after lost original of November 1915), wood and galvanized-iron snow shovel.
Marcel DuChamp, L.H.O.O.Q. Shaved, 1965, playing card with colored ink on printed invitation.
Giorgio de Chirico, The Nostalgia of the Infinite, Paris 1912-13? (dated on painting 1911), oil on canvas.
Giorgio de Chirico, The Enigma of a Day, Paris, early 1914, oil on canvas.
Giorgio de Chirico, The Song of Love, Paris, June-July 1914, oil on canvas.
Joan Miró, Person Throwing a Stone at a Bird, 1926, oil on canvas.
Joan Miró, Dutch Interior (I), Montroig, July-December 1928, oil on canvas.
Joan Miró, Painting, Barcelona, June 13, 1933, oil on canvas.
Alexander Calder, Portrait of a Man, New York, c. 1929, brass wire.
Alexander Calder, Spider, 1939, painted sheet aluminum, steel rod, and steel wire.
Romare Bearden, The Dove, 1964, cut-and-pasted printer paper, gouache, pencil, and colored pencil on board.
Romare Bearden, Patchwork Quilt, 1970, cut-and-pasted cloth and paper with synthetic polymer paint on composition board.
Louise Bourgeois, Quarantania, I, 1947-53, painted wood on wood base.
Louise Bourgeois, Untitled, plate 7 from He Disappeared Into Complete Silence, 1947, engraving and drypoint from an Illustrated book with nine engravings, three with drypoint.
Louise Bourgeois, Untitled, 1950, gouache, pencil, and colored pencil on colored paper.
Jackson Pollock, Number 1A, 1948, 1948, oil and enamel paint on canvas.
Andy Warhol, Campbell's Soup Cans, 1962, synthetic polymer paint on thirty-two canvases.
Andy Warhol, Brillo Box (Soap Pads), 1964, synthetic polymer paint and silkscreen ink on wood.
Andy Warhol, Self-Portrait, 1966, silkscreen ink on synthetic polymer paint on nine canvases.