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PERSPECTIVE. Perspective – the illusion that an image has depth and 3-dimensional space (volume). TRICKS/TECHNIQUES. OVERLAPPING (ORDER) RELATIVE (diminishing) SIZES VERTICAL PLACEMENT ATMOSPHERIC LIGHT LINEAR (ONE OR TWO POINT). VERTICAL PLACEMENT & OVERLAPPING.
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Perspective – the illusion that an image has depth and 3-dimensional space (volume)
TRICKS/TECHNIQUES OVERLAPPING (ORDER) RELATIVE (diminishing) SIZES VERTICAL PLACEMENT ATMOSPHERIC LIGHT LINEAR (ONE OR TWO POINT)
VERTICAL PLACEMENT & OVERLAPPING INTERPRETED AS 3 RECTANGLES
SASSETTAThe Meeting of St. Anthony and St. Paulabout 1440Wood
TRICKS/TECHNIQUES OVERLAPPING (ORDER) RELATIVE (diminishing) SIZES VERTICAL PLACEMENT ATMOSPHERIC LIGHT LINEAR (ONE OR TWO POINT)
Atmospheric Imitation of atmospheric effects: hues more bluish & more pale outlines less precise small details lost color contrasts muted sfumato (“vaporous”) gradual transition
David Hockney, Portrait of an Artist (Pool with Two Figures), 1971
TRICKS/TECHNIQUES OVERLAPPING (ORDER) RELATIVE (diminishing) SIZES VERTICAL PLACEMENT ATMOSPHERIC LIGHT LINEAR (ONE OR TWO POINT)
LINEAR PERSPECTIVE Vanishing point One point; central
Canaletto (Giovanni Antonio Canal), The Campo di Rialtoc. 1758-63 Oil on canvas, 46 7/16 x 72 1/2 in
Canaletto (Giovanni Antonio Canal), The Campo di Rialtoc. 1758-63 Oil on canvas, 46 7/16 x 72 1/2 in
Vanishing points at horizon picture frame
After 600 years of perspectivist tricks, a return to the flat surface in the 20th Century . . .
Frank Stella, Wolfeboro II, 1966 a hint of perspective . . .
Cimabue, Madonna Enthroned, 1280-90 NO PERSPECTIVE flat pictorial space similar to Ancient & Byzantine works TEXTBOOK p. 185
GIOTTOMadonna in Gloryc. 1311Tempera on panel128 x 90 1/2 in. suggestions of PERSPECTIVE in a GOTHIC ERA work; PERSPECTIVE is a major development of the RENAISSANCE (key words in BOLD)
. . . in music? Yes! Can you tell the difference between a loud sound far away and soft sound nearby? Psycho-acoustic effects of near and far (reverb, TDOA, spectral roll-off, timbre, etc.) - used in film music, electronic music, and some orchestral music, particularly MAHLER
In retrospect . . . • notice perspective, lack of perspective, and suggestions of perspective in 2-D work