Different Individuals are Attracted to Different Art Forms

1. Different Individuals are Attracted to Different Art Forms Everyone get s expos ed t o ar t at s ome s t age. W hen i t comes t o pai nt i ng, t her e ar e al s o di ffer ent t ypes . Mos t peopl e have s een, and ar e abl e t o di s cer n r eal i s t i c or r egul ar ar t f r om, s ay , abs t r act ar t . Even t hough t her e ar e many di s t i nct i ons , i t woul d pr obabl y s uffice t o s ay t hat r egul ar , r eal i s t i c ar t s eeks t o por t r ay s ubj ect s , s i t uat i ons or s cenes as we s ee t hem, wher eas abs t r act pai nt i ngs do not . Abs t r act pai nt i ng i s t hat ar t f or m

2. t hat does not r eal l y depi ct nat ur al i s m but i s r at her s een as an i nt er pr et at i on or exper i ence i n t er ms of whi ch t he ar t i s t does not concent r at e on every vi s i bl e det ai l – but r at her t o convey hi s / her own way of how t hey l ook at t he s ubj ect or t he s cene t hey por t r ay . Th i s often means t hat i ns t ead of concent r at i ng on s peci fic det ai l t he ar t i s t may emphas i ze col our , s hapes , cer t ai n pat t er ns or combi nat i ons of t hos e i s s ues t hat wi l l enhance t he appear ance of , and i nt er es t i n, t he pai nt i ng. Th en ar e s t i l l t hos e t hat l i ke t o do por t r ai t s t udi es wher eas ot her s pr ef er t o pai nt l ands capes . And of cour s e, s ome ar t i s t s pai nt i n very r eal i s t i c s t yl es wher eas ot her s pr ef er t o concent r at e on abs t r act wor k. Th er e ar e many var i at i ons i n t er ms of t he s ubj ect s t hat ar t i s t s may deci de t o pai nt , wi t h t he r es ul t t hat var i ous pr ef er ences and t as t es wi l l be cat er ed f or when an ar t col l ect or or s omeone t hat onl y buys now and agai n, want s t o acqui r e a pi ece. Al s o, s ome ar t i s t s combi ne cer t ai n f or ms of pai nt i ng and di ffer ent medi a and cr eat e s peci fic pi eces whi ch may not be t er med as r eal i s t i c. Once agai n, t he emphas i s i s on t he vi ewer ’ s r eact i on t o t he ar t i s t ’ s exper i ence and what he/ s he has cr eat ed. Becaus e of i t s very nat ur e, t he abs t r act pai nt i ng t al ks t o i t s vi ewer s i n a di ffer ent way f or m what a r eal i s t i c pai nt i ng woul d. W i t h t he r eal i s t pai nt i ng we s ee t he exact det ai l of what t he ar t i s t want s us t o; i n t er ms of t he abs t r act pai nt i ng our r eact i ons wi l l be di ffer ent , and i n f act , di ffer ent vi ewer s wi l l have di ffer ent exper i ences and i nt er pr et at i ons . Appr eci at i ng a very r eal i s t i c pai nt i ng may be di ffer ent f r om appr eci at i ng an abs t r act pi ece – al s o, i t r emai ns a very per s onal exper i ence f or mos t and r egar dl es s of what one s ees , t he effect wi l l mos t often di ffer f r om one per s on t o t he next .

3. Th er e ar e var i ous ar t f or ms s uch as s cul pt ur e, phot ogr aphy , t heat r e and pai nt i ng. Pai nt i ng, f or exampl e, i s f ound everywher e: i n peopl e ’ s homes , i n offices , i n publ i c pl aces , i n ar t gal l er i es . Becaus e t as t e di ffer s t her e wi l l al ways be di ffer ent opt i ons f or ar t l over s whet her you pr ef er s cul pt ur es or ot her ar t f or ms , or pai nt i ngs , and t hen ei t her s ome very r eal i s t i c s t yl es s uch as f or exampl e, phot or eal i s m whi ch i s , as t he t er ms s ugges t s , s uper r eal i s t i c – al mos t a copy of a phot ogr aph and s o r eal i s t i c t hat every det ai l i s capt ur ed. I n t er ms of r eal i s t pai nt i ng i t i s t r ue t hat s ome peopl e pr ef er t hi s ar t f or m, becaus e t hey f eel an ar t i s t t hat wor ks i n t hi s s t yl e has per f ect ed t r ue ar t , as oppos ed t o i nt er pr et at i ve s t yl es s uch as di ffer ent abs t r act f or ms . For s ome t hi s may be t r ue, but not f or everybody: s ome ar t l over s pr ef er t o exper i ence t he di ffer ent l evel s of meani ng t hey find i n t he l at t er as oppos ed t o t he very r eal i s t i c f or m. Th er e i s no wr ong and no r i ght : peopl e know what t hey l i ke and what t hey ar e at t r act ed t o. Many ar t i s t s t hems el ves , al t hough t hey may have a pr ef er ence f or one s t yl e over anot her , may move bet ween s t yl es . Once agai n: i t i s a pr ef er ence and up t o t he i ndi vi dual what t hey pr ef er at what poi nt , much as t he mat er i al t hey may pr ef er t o us e, be t hat wat er col our , acryl i c or oi l , f or exampl e. Fi ndi ng ar t wor k i s nor mal l y not t hat di fficul t s i nce ar t i s t s di s pl ay t hei r wor k i n gal l er i es , or i n t hei r own s t udi os , or t hey offer cer t ai n pi eces f or s al e on t he i nt er net . Lover s of ar t have choi ces whet her your pr ef er ence di ct at es you buy r eal i s t i c ar t , or abs t r act . About Us

4. Vi vi en Ver ey s peci al i zes i n abs t r act l ands cape ar t whi ch s he s el l s di r ect l y t o t he publ i c. Bas ed i n Awbr i dge, Hamps hi r e, Vi vi en’ s gal l ery can be vi s i t ed t o vi ew her pi eces ; s he al s o ar r anges exhi bi t i ons f r om t i me t o t i me. Vi vi en’ s pai nt i ngs ar e i ns pi r ed by t he ocean and Br i t i s h coas t l i ne and r epr es ent her own vi ews of t he wor l d ar ound her and her r eact i ons t o her exper i ences . She us es s eal ed wood s ur f aces and appl i es mai nl y hi gh pi gment pai nt col our s . Hi gh qual i t y f r ames whi ch ar e hand- made on s i t e compl ement her wor k and can be cus t om made t o s ui t t he pr ef er ences of t he buyer . For mor e about Vi vi en and her pai nt i ngs pl eas e vi s i t ht t ps : / / www. vi vi enl aur a. co. uk/