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Islamic Art. 650 CE - present d ay. Main Ideas. Highest art form is calligraphy Textiles are especially valued Most works lack figural representations , with the exception of artwork heavily influenced by the Chinese
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Islamic Art 650 CE - present day
Main Ideas • Highest art form is calligraphy • Textiles are especially valued • Most works lack figural representations, with the exception of artwork heavily influenced by the Chinese • Mosque is the primary religious building, often with minarets (for muezzins), always with a mihrab marking the qiblah (niche that orients one towards Mecca). Mosque follows either hypostyle or open design • Arabesques and tessellations incorporated • Patronage – rulers and social elite • Islamic belief that there is unity in multiplicity • Great mathematic thinkers! • Art is intellectual, refined and DECORATIVE
Frieze from Mshatta, Jordan, c. 750, State Museum, Berlin. From 16’ high palace wall; carved stone with vegetal designs – animals on secular side of palace, none on the other; triangle pattern with rosettes
Dome of the Rock, c. 690, Jerusalem, IsraelWooden dome on octagonal building; columns are from Roman buildings; influenced by Byzantine architecture; central ly placed on the temple mount; built for pilgrims • Adam’s burial place • Where Abraham nearly sacrificed Isaac • Location of the Temple of Jerusalem • Location of the first Christian church built for the mother of Constantine • Site of Mohammed’s ascension to heaven
Great Mosque of Cordoba, Spain, 8th-10th CenturiesHypostyle mosque not meant for congregational meetings; horseshow double-arched columns (recycled from Roman buildings); light interior; original ceiling was wooden, but now vaulted
Sinan, Mosque of Selim II, 1570, Edirne, TurkeyVery tall and thin minarets; lots of light inside from windows; decorative tile and mosaics; dome on square, then octagon
Court of the Lions, Palace of the Lions, Alhambra, Granada, Spain, 1354-91. Sumptuous palace and gardens like paradise on Earth;
Muqarnas dome, Hall of the Abenacerrajes, Palace of the Lions
Illuminated tugra of Sultan Suleyman, Istanbul, 1555, ink , paint and gold on paper
Persian Manuscript Tabriz School, Pandj Gandj, Amir Dehlavi Heavily influenced by Chinese via the Mongols invasions Doll-like figures in brilliant colors Figural representation was accepted in Persia Shadowless Sumptuous dress Flat planes