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The Rise of the Novel

The Rise of the Novel. Defoe and Swift. Dates. 1660: Restoration of Charles II 1666: the Great Fire of London 1685: accession of James II 1688-89: the Glorious Revolution; accession of William of Orange 1700: death of John Dryden 1707: the Act of Union 1715: the first Jacobite uprising

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The Rise of the Novel

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  1. The Rise of the Novel Defoe and Swift

  2. Dates • 1660: Restoration of Charles II • 1666: the Great Fire of London • 1685: accession of James II • 1688-89: the Glorious Revolution; accession of William of Orange • 1700: death of John Dryden • 1707: the Act of Union • 1715: the first Jacobite uprising • 1702-14: reign of Queen Anne • 1721-42: Sir Robert Walpole Prime Minister • 1745: the second Jacobite uprising • 1789: the French Revolution

  3. Literary Periods • 1660-1700:

  4. Literary Periods • 1660-1700: the Restoration Period (the Age of Dryden) • 1700-1745:

  5. Literary Periods • 1660-1700: the Restoration Period (the Age of Dryden) • 1700-1745: the Augustan Period (the Age of Pope and Swift) • 1745-1798:

  6. Literary Periods • 1660-1700: the Restoration Period (the Age of Dryden) • 1700-1745: the Augustan Period (the Age of Pope and Swift) • 1745-1798: the Age of Sensibility (the Age of Dr Johnson) • Restoration Period+Augustan Period: the Age of Reason

  7. Cultural Background • The Age of Enlightenment: value of reason, fear of unreason, hatred of pedantry • Neoclassicism: Augustan Period • Restoration Period: forerunners of Neoclassicism (Dryden)

  8. New Genres • Drama: • Heroic plays (Dryden, All for Love, 1677) • Comedies of manners (Congreve, The Way of the World, 1700) • Poetry: • Heroic couplet (Dryden, Absalom and Achitophel, 1681)

  9. Neoclassicist Poetics • Imitation of nature: • ‘landscape’ (Dryden) • ‘Human nature’ (Pope) • ‘universal truths’ (Dr Johnson) • Imitation of Classical literature: • Perfect imitations of nature • Craftmanship • Codification of rules in literature

  10. The Augustan Period • The Age of Swift, Pope, Addison, Walpole • Expansion of reading public • New journalism • Professional writers and booksellers

  11. New genres • Sentimental comedy: Gay, The Beggar’s Opera (1728) • Mock heroic: Swift, Battle of the Books (1697, 1704); Pope, The Rape of the Lock (1712, 1714) • Landscape poems: Thomson, Winter (1726) • Novel: Defoe, Robinson Crusoe (1719)

  12. The Antecedents of the Novel • Newspapers: Grub Street, ‘scribblers’, gossips, reports • Journals: best writers, didacticism, model for taste, education of middle classes; Steele and Addison, Tatler and Spectator (1709-11, 1711-12) • Pamphlets and satires: political, occasional, ridicule • Other: essays, travelogues, biographies, letters

  13. Swift’s pamphlets and satires • ‘A Modest Proposal’ (1729): political, against Walpole, mask of indifference, savage indignation, ‘reductio ad absurdum’; misanthropy • Battle of the Books (1697, 1704): occasional, Sir William Temple, mock heroic in prose; ancients (new ancients) V moderns; the bee and the spider

  14. Defoe’s innovations • Reportage: keen eye for the detail • Narrative realism • Fictitious events against a realistic background • ‘the father of the English novel’

  15. Robinson Crusoe (1719) • The first full-length prose fiction, the first English popular novel • Application of journalism • World view of middle classes

  16. Swift’s innovations • A master of irony, satire, a moralist • Belief in reason but misanthropy: ‘I hate and detest that animal called man, although I heartily love John, Peter, Thomas, and so forth.’ • Man is not a reational being but is capable of reason

  17. Gulliver’s Travels (1726) • Genre: fictitious travelogue, in matter of fact style • Other: dystopia, utopia, satire, mock heroic, romance, allegory • Paradox: most comprehensive satire and children’s classic • Development of Gulliver’s character: from irony to bitter satire

  18. Further reading • Róna Éva, A XVIII. század angol irodalma (Bp.: Tankönyvkiadó, 1992) . . .

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