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IMAGINATION

IMAGINATION. “Heard melodies are sweet, but those unheard are sweeter” John Keats THE CENTRAL CONCEPT OF ROMANTIC ART: THE PATH TO THE REAL KNOWLEDGE OF REALITY A CREATIVE FORCE A PROOF OF THE SUPREMACY OF THE IDEAL ON THE REAL. REFUSAL OF CLASSICAL RULES. EXPERIMENTATION

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IMAGINATION

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  1. IMAGINATION “Heard melodies are sweet, but those unheard are sweeter”John Keats THE CENTRAL CONCEPT OF ROMANTIC ART: • THE PATH TO THE REAL KNOWLEDGE OF REALITY • A CREATIVE FORCE • A PROOF OF THE SUPREMACY OF THE IDEAL ON THE REAL

  2. REFUSAL OF CLASSICAL RULES EXPERIMENTATION NO RIGID METRICAL RULES THEORY OF: ORGANIC WHOLE “If poetry comes not as naturally as the leaves to a tree, it had better not come at all” John Keats

  3. POETIC FORMS RETURN TO TRADITIONAL VERSE FORMS • SPENSERIAN STANZA • BLANK VERSE • LYRIC • ODE • FREE VERSE • SONNET

  4. THEMES OF POETRY From : UNIVERSAL AND GENERAL To: INDIVIDUAL AND PARTICULAR From: SATIRE AGAINST INDIVIDUALS To: SATIRE AGAINST SOCIETY

  5. San Giorgio Maggiore, J.M.TURNER, 1819

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