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Katsura Imperial Villa (Kyoto) 1620-1663

Katsura Imperial Villa (Kyoto) 1620-1663. Edo period/ shogun/Tokugawa Ieyasu (1543-1616)/ Prince Toshihito (1579-1629)/ daimyo/ importance of the tea ceremony (chanoyu).

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Katsura Imperial Villa (Kyoto) 1620-1663

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  1. Katsura Imperial Villa (Kyoto) 1620-1663

  2. Edo period/ shogun/Tokugawa Ieyasu (1543-1616)/ Prince Toshihito (1579-1629)/ daimyo/ importance of the tea ceremony (chanoyu)

  3. lack of ornament but variety of textures/ integration of building and garden/ division of society into four distinct classes/ chonin (or shoin)

  4. Interior of the Katsura Palace

  5. Miyamoto Musashi. Shrike, early seventeenth century, hanging scroll, ink on paper

  6. a ronin devoted to the practice of kendo/enlightened at age 50

  7. Hikone Screen, c. 1620-40, ink, color, and gold on paper

  8. anticipation of developments in genre painting

  9. Four Accomplishments or Four Leisurely Pursuits

  10. geisha

  11. Ogata Korin. White Plum Blossoms in the Spring, Tokugawa period, late seventeenth to early eighteenth centuries, screen, color on gold paper

  12. Rinpa School/ tarashikomi/ emphasis on pattern, dramatic contrast, and simplified motifs/ the Kariganeya (Wild Goose)

  13. Kano Tsunenobu. Ascending and Descending Dragons, two of a set of three hanging scrolls

  14. Kano school/ inner artists (oku eshi) and official artists (omote eshi)/ tokonoma/ emphasis on diligent practice and tradition

  15. Yosa Buson. Traveler and Horse Passing through a Spring Landscape, seventeenth century, hanging scroll, ink and color on ink

  16. Yosa Buson/ Literati Style/ dense foliage patterns with pale colors/ sencha

  17. Yosa Buson. Selections from The Narrow Road to the Deep North, 1779Basho’s text

  18. Uragami Gyokudo. Frozen Clouds, Sifted Snow, c. 1811-12, hanging scroll, ink on paper

  19. ideal of the pure Nanga artist/ influence of the Chinese song dynasty/“unfinished” oscillation between pure gesture and pure form

  20. Uragami Gyokudo. Reading the “Book of Changes” in the Cloudy Mountains, hanging scroll, ink on paper

  21. Okamoto Toyohiko. Moored Boats in Autumn, early nineteenth century, detail from a pair of six-panel screens; ink and light color on paper

  22. aesthetic principle of partial disclosure

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